Holy crap. Is it over when you start to dress like that onstage? Schenker with Chicago Bulls NBA shorts and a leather motorcycle jacket with Oakley shades to pull the look together? As Heidi Klum used to say on Project Runway, "I'm sorry, Michael, you are out ... auf Wiedersehen."
A few years back, the editors of Guitar World magazine compiled what we feel is the ultimate guide to the 100 Greatest Guitar Solos of All Time. The list, which has been quoted by countless artists, websites and publications around the world, starts with Richie Sambora's work on Bon Jovi's “Wanted Dead or Alive” (Number 100) and builds to a truly epic finish with Jimmy Page's solo on "Stairway to Heaven" (Number 1).
My first two ear training columns (Part 1 and Part 2) outlined techniques intended to strengthen your note-recognition abilities, using the guitar as an ear training tool. This month, I’d like to turn you onto some ear training techniques that use chords.
Check out this cover of Jimi Hendrix's "Purple Haze" by 2CELLOS. These guys might look familiar; they're the Croatian cellists who had a taste of online success when their dueling-cellos version of Michael Jackson's "Smooth Criminal" went viral a few months ago.
Tosin Abasi strides into a Hollywood photo studio dressed in a crisp striped jersey, jeans and a pair of horn-rimmed glasses that make him look a bit like the young Dizzy Gillespie. He’s toting a pair of the Ibanez eight-string guitars that have become his stock in trade, sleek-bodied instruments with broad, massive necks that carry the heft and menace of weaponry.