An Independence Day parade of solo-guitar versions of "The Star-Spangled Banner" by Slash, Steve Vai, Dave Mustaine, Zakk Wylde, Eric Johnson, Stevie Ray Vaughan, Ted Nugent and—of course—Jimi Hendrix.
Dixon, who—as we've implied above—was born July 1, 1915, was primarily a bassist and singer, but a bassist and singer who happened to write hundreds of incredible, often dark and eerie songs, several of which found their way in the catalogs of the biggest artists of the Sixties, Seventies, Eighties and beyond.
For this week's flashback video, we head to Honolulu, Hawaii, in 1984. That's where — and when — Jeff Beck joined Stevie Ray Vaughan and Double Trouble on stage to play an impressive mini-set that included "Jeff's Boogie," a 1966 instrumental from the Yardbirds' Roger the Engineer album.
Stevie Ray Vaughan’s distinctive playing style is earmarked by equal parts pure power, intensity of focus, razor-sharp precision and deeply emotional conviction. And then there’s his tone—probably the best Stratocaster-derived sound ever evoked from the instrument.
Sure, there are scores of stellar live versions of Stevie Ray Vaughan's version of "Texas Flood" online, but there's simply something magical about this raw performance from July 17, 1982, at the Montreux Jazz and International Music Festival. The extended, dynamics-filled rollercoaster ride finds SRV reaching into his bag of King-meets-Hendrix Licks—not mention behind his back, where his Strat rested for the final third of the song.
I know, I know. Die-hard Stevie Ray Vaughan and Jimmie Vaughan fans—myself included—have already seen this video 43.677777 times. However, that doesn't make it any less appealing. And, since it wound up in my crowded inbox this morning, I thought I'd share it with the masses!
While visiting an empty Walmart at 3AM one morning, musician Clay Shelburn and his buddy Zac Stokes did this impromptu version of Stevie Ray Vaughan’s “Pride and Joy” on a toy guitar. We’re sure neither of them ever thought the video would reach 1.6 million views, but it’s no surprise that it did, as Shelburn’s licks (and singing!) are pretty on point.