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String Theory with Jimmy Brown: Jamming on the Changes to a Three-Chord Modal Jazz Gem, “Cantaloupe Island”

String Theory with Jimmy Brown: Jamming on the Changes to a Three-Chord Modal Jazz Gem, “Cantaloupe Island”

These videos and audio files are bonus content related to the October 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.

In my previous three columns, I presented some cool approaches to improvising over the late Horace Silver’s mid-Sixties jazz classic “Song for My Father,” which is in the key of F minor.

It’s an ideal introductory tune for rock and blues players looking to get into jazz, due to its fairly simple modal harmonic structure, defined by the fact that most of the chords are played for at least two bars, which gives you ample time to think about and play over each chord before the next one hits.

While jamming on that tune these past few months, I recalled a similar and equally enduring jazz instrumental from the same era, one that’s also in F minor and played at a laid-back tempo and with an even-eighths feel. The tune is “Cantaloupe Island,” a soulful, enduring composition by pianist Herbie Hancock that he debuted on his 1964 album, Empyrean Isles, featuring the great trumpeter Freddie Hubbard and legendary rhythm section of drummer Tony Williams and acoustic bassist Ron Carter.



Applying Modes to Improvised Guitar Solo Ideas, Part 1