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String Theory: Using Upper-Structure Voice Leading to Create a Climactic, Jazzy Finale to Last Month's Arpeggio Etude

String Theory: Using Upper-Structure Voice Leading to Create a Climactic, Jazzy Finale to Last Month's Arpeggio Etude

The following content is related to the May 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

This month I’d like to offer a final, climactic eight-bar variation on the “Raking Leaves” arpeggio etude I presented last month.

The techniques used are the same—sweep picking and fret-hand muting—and you’ll be happy to discover that the fretboard shapes are a little more compact and finger friendly than last month’s, due to the higher positions employed. In terms of theory and harmony, the arpeggios used herein feature some sophisticatedly cool, jazz-style voice-leading.

PART ONE



PART TWO



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