He influenced a generation and changed the course of metal forever. Guitar World presents the complete, untold story of Jeff Hanneman, Slayer’s guitarist for more than 30 years and the man behind such legendary thrash anthems as “Angel of Death,” “South of Heaven” and “War Ensemble.”
Rage and despair are the ruling passions on Ready to Die, the new album by Iggy and the Stooges. Well, that and big boobs. Only James Newell Osterberg Jr., a.k.a. Iggy Pop, could follow up the disc’s death-haunted title track with an homage to humongous hooters, the aptly named “DD’s.”
If you own some of the same amps commonly found in modeling software and products, you know what I’m talking about. While many models sound great, they may not sound quite as good as that vintage Marshall “Plexi” you sought for more than a decade until the right one came along, or that magical tweed Fender you own that has its own personality.
It’s six o’clock on April 12, just two hours before show time, and Joe Bonamassa is sitting in his dressing room at Seattle’s famed Paramount Theatre absent-mindedly flipping through pictures of vintage guitars on his iPad. “Check this out,” he says to his tech while holding up the tablet.
String skipping is a technique I use in a handful of solos that I’ve recorded with my band, Falling in Reverse. Some of my guitar students have erroneously assumed that certain phrases were performed using sweep picking, but in fact I used string skipping, along with alternate and economy picking, to create a similar effect. If you’re a fan of the sound of fast alternate- and sweep/economy-picked phrases, the string-skipping techniques I demonstrate in this month’s lesson will appeal to you.