Tucked in a nondescript industrial tract north of San Francisco near San Pablo Bay, Metallica’s headquarters is an oasis for both thrash fanatics and gear heads of every stripe. The massive studio—dubbed HQ by the band—has been Metallica’s base of operations for writing, rehearsals, demoing and all-purpose hanging since late 2001. In a rare case of reality trumping fantasy, it is a place that exceeds expectations.
As I promised last month, I’m going to demonstrate some cool licks to play over the chord changes to Horace Silver’s mid-Sixties jazz classic “Song for My Father.” As you recall, the composition features a cool, laid-back bossa nova groove and loosely spaced chord changes that make it a great jam tune for rock and blues guitarists looking to get into jazz.
I’ve often been associated with players that use specific picking techniques, such as sweep picking, economy picking, hybrid picking and so on. In truth, I have no idea what any of these terms mean. Sweep picking does not appeal to me at all.
When it comes to echo and delay pedals, guitarists have a choice of analog or digital, each of which has its pros and cons.
Ibanez’s ES2 Echo Shifter combines the best of both worlds by mating a superb, no-compromises, all-analog audio path to a digital control circuit. Better still, the Echo Shifter features unique oscillation and modulation circuits that add greater versatility, letting you create everything from subtle to extreme sonic weirdness.
Kirk Hammett has had a long relationship with Randall, which in recent years has resulted in a successful run of signature offerings, including the KH120RHS head and KH412 cab, KH75 combo, KH15 practice amp and KH3 preamp module.
In this new feature from the August 2014 issue of Guitar World, the guitarists of Avenged Sevenfold, Morbid Angel, Trivium and other metal acts tell how they'll beat the heat and tame the crowds on the season's biggest tours.
David knew Graham, and he came to our Crosby & Nash show in London a couple of times and liked our harmonies and our way of going at it, and he asked us to sing on [his 2006 solo album] On An Island. In the process, we got to be pretty close friends. He asked us to sing at his concert in London.
I remember sitting in the living room of our little house in Boise, Idaho, for hours and hours, learning every song on the Black Album with the help of the Rhythm Bandit, which allowed me to hear the guitar parts better.