Heavy metal has lost all form of legitimacy as musical genre. I believe it has evolved, or devolved, to the point where it has become something so different from what it once was, that it now is a different genre all together. People could argue that music trends change constantly with new generations that influence what is popular. However, jazz is still jazz, blues is still blues, but metal is no longer metal.
The basic idea? You trill on a string with your fretting hand, then use your picking-hand pinky to catch harmonics. You can move your finger back and forth over the pickups, and you will catch different harmonics at different points along the sting. You have to be very gentle with your picking hand, otherwise you will "choke" the string and won't produce harmonics.
We all have busy lives and responsibilities that distract us from our playing. For this reason, I've developed a quick, intensive guitar "workout" that can be completed in 30 minutes. You can use this by itself as a quick practice when time is limited or incorporate it into a longer practice session. Either way, this workout will help develop your playing in a number of important areas.
Players often only play exercises to improve technique, but it's important to vary your exercises to focus on other important parts of guitar playing. Although this exercise is based on arpeggios, it really is meant to help you visualize scales differently from the standard "three note per string" shapes.
When I started playing again after taking a few months off, I immediately noticed how weak my fretting hands where when trying to execute string bends and vibrato. These exercises will gradually build up your finger strength and stamina. Each exercise will become progressively more difficult and require stronger technique.
Lack of inspiration, time commitments such as work, medical problems, loss of interest, even video games are all valid reasons people take a break from playing guitar. I decided to start this series of lessons for anyone who has spent a period of time away from playing. These lessons will help you get back into playing regularly and give you some useful exercises to help rebuild your technique.
Last year, I gave you a 30-minute guitar workout designed for guitarists with limited practice time. The goal of the workout was to give you an intense 30 minutes of practice. The positive response to this workout inspired me make a new version for 2014. As with my previous workout the goal is the same: 30 minutes of intense practice.
The main inspiration for my version came after hearing several live bootlegs, some of which were about 30 minutes long! This gave me the idea to have an improvised intro and outro section with the main song/theme in the middle. Stylistically I wanted it to be more of a natural blues sounding arrangement as opposed to the large amounts of synths featured on the Moore version.
In its most basic form, the lick is a sequence of six notes played as a sextuplet or two sets of triplets (depending on the tempo). The notes are played on the same string, which makes it very easy to alternate-pick and build speed. Once you have mastered the basic pattern, you can apply the lick to different scales and positions to give an almost endless amount of variations.
When soloing, I try to use a balanced mix of scales, intervals and arpeggios. Something I always struggle with is trying to incorporate arpeggios into my solos without having them sound too generic. A lot of the common arpeggio shapes are difficult to use without sounding "cliche" or like a bad Yngwie Malmsteen clone.