Featuring performances by multi-platinum artist Colbie Caillat, rock icons The Bangles, Grammy nominated saxophonist Mindi Abair, guitarists Orianthi and Richie Sambora, the event celebrated women in music.
This time around we’re going to focus on recording technique and some production tips to address some things that some folks often overlook when trying to achieve the sounds of their favorite records. These are techniques that I have used on many records, including the last two Bret Michaels albums, as well as the theme songs to Rock of Love, Life as I Know It and Speed Channel’s Supercross.
One thing I mentioned but I don't think I stressed enough is that while you can use AmpliTube and other apps as real-time plug-ins, I personally don’t recommend it. On one hand, you get the amazing ability to change everything from amp model to mic placement long after you've captured the perfect take, right into the final stages of mixing. The options can be endless — and to me, that’s a problem.
In his work as a solo artist, Bret Michaels’ right-hand man is guitarist Pete Evick, a multitalented musician who, in addition to playing guitar in the Bret Michaels Band, has also served as a co-songwriter, producer, mixer and musical director for the group. On the rare occasion he finds himself with some free time, the guitarist also pursues his own projects, which include studio work for a variety of artists as well as recording and performing with his long running band, Evick.