In this brand-new video, Guitar World's Paul Riario and his loaner Charvel Jake E. Lee signature model guitar hit the streets of New York City with D'Addario's new NYXL strings. The goal? To find out just how tough NYXL's strings are!
As always, several members of the Guitar World crew were on hand at the 2014 Summer NAMM Show in lovely and talented Nashville, Tennessee, taking pics, getting the latest gear news and shooting plenty of videos.
The capo is to guitars what sugar — or Stevia, if you prefer — is to food. It makes everything sweeter. Musicians started noticing the capo's inherent song-sweetening properties sometime in the early 17th century, when primitive versions of the handy accessory were employed to raise the pitch of a host of fretted instruments.
Earlier this week, D’Addario introduced its NYXL electric guitar strings — what the company considers the next generation of strings. To celebrate the occasion, D’Addario hosted a star-studded launch party May 1 at the Carle Place Guitar Center in Long Island, New York.
“Jaws drop when bassists hear the sound of this new bass string line,” says D’Addario Product Specialist Brian Johnson. “These strings were designed for bass players who prefer a more flexible feel to their strings while retaining the fast response necessary for slap playing.”
If you want to improve your guitar’s tone, the best place to start is at the source—the strings. In recent years, almost every major string manufacturer has made enhancements to its products—from more precise windings to advanced coatings—that can make your guitar play and sound like an entirely new instrument. Here are six recent product breakthroughs worth checking out.
D’Addario has introduced XL Nickel Wound Balanced Tension string sets. Responding to consumer demand, D’Addario XL Nickel Wound Balanced Tension sets have been optimized to have a comparable tension string to string allowing for greater dynamic control and a more evenly balanced effort while fretting, bending, strumming and picking on guitar, as well as plucking, slapping and bending on bass.