These videos and audio files are bonus content related to the February 2015 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
As always, several members of the Guitar World crew were on hand at the 2014 Summer NAMM Show in lovely and talented Nashville, Tennessee, taking pics, getting the latest gear news and shooting plenty of videos.
If pedal effects were colors on a painter’s palette, I’d describe overdrive as black or white, distortion as red or blue, and fuzz as purple, mainly because fuzz is typically best used sparingly.
Describing the EarthQuaker Devices Terminal, which is a fuzz pedal, I’d go even further by comparing it to a glossy, metal-flake hue of heliotrope, but one that you’d want to use in excess, such as to paint a hot rod.
EarthQuaker Devices has introduced its new Terminal Fuzz pedal. From EarthQuaker: "The Terminal Fuzz is a blown-out, busted and all-around destructive fuzz device modeled after my old JAX fuzz. For those not in the know, the JAX fuzz is a re-branded Shin Ei Companion fuzz that is well loved for its buzzy sound."
The Depths is our take on the classic optical vibe circuit. It creates a lush, phasing pulse which delivers a three-dimensional swirling sound. The Depths has been optimized to work well with all types of instrument, pickup types and to play well with dirt.
From the overdriven sounds of Jimmy Page and Tony Iommi to the out-of-this-world prog tones of David Gilmour and Alex Lifeson, the Seventies were pivotal in creating some of the guitar sounds that are still being ripped of today's class of rock guitarists. Whether you're putting together the ultimate Pink Floyd or Led Zeppelin tribute band or just trying to add a bit of vintage flare to your modern-rock masterpiece, the pedals on this list are sure to help you recapture some of that groovy Seventies magic.