Over the course of 1969 and 1970, Jimi Hendrix appeared at his most noted live appearances — Live at Woodstock, Live at Berkeley, and Live at the Fillmore East — using a mysterious red Fuzz Face Distortion with white knobs. That fuzz box sounded like a completely different animal from any of the other Fuzz Face pedals in Jimi’s arsenal, snarling with a far more aggressive, biting tone.
Jim Dunlop is celebrating Jimi Hendrix's 70th birthday (November 27) by releasing a limited-edition series of pedals, the Jimi Hendrix 70th Anniversary Tribute Series. It includes four effects that were a major part of Hendrix’s signal chain: the Fuzz Face, Cry Baby, Octavio and Univibe.
The youngest of four guitar-playing brothers, all of whom play lefty and upside-down, Eric Gales was a fretboard monster early on, raised on a healthy diet of Jimi Hendrix via his older siblings. Before the mainstream successes of Kenny Wayne Shepherd, Joe Bonamassa, Derek Trucks, Jonny Lang, John Mayer and others of his generation, Gales, aka “Raw Dog,” was jamming with gods like Shawn Lane and Carlos Santana and getting interviewed by Arsenio Hall.