When ToneConcepts set out to make a new stomp box, it did the unthinkable by asking guitarists what they wanted that was missing from the plethora of pedals already on the market. The result is the Distillery pedal, which, despite its name, does not make vodka or whiskey but rather is a clean boost/overdrive pedal that allows guitarists to brew up their own signature tones.
These videos are bonus content related to the February 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
Over the years, people have noticed that when I play certain runs, my fingers move in the opposite direction of the notes that they hear. For example, as my fret hand moves up the fretboard, the sequence of notes that is heard descends (and vice versa).
For the last 25 years or so, Randall amplifiers have played an influential role in shaping the sound of modern metal. Dimebag Darrell’s preference for Randall amps like the RG-100 and his signature Warhead model completely changed metal guitarists’ minds about the virtues of solid-state amps.
I’d like to start off by demonstrating some of the licks I play in the song “Invidious," from our latest, self-titled release. Some of the melodic phrases in the tune are performed using hybrid picking, a technique sometimes referred to as “chicken pickin’,” wherein I combine standard flatpicking with fingerpicking.
We’ve all heard of a guitar with a bone nut, but how about a guitar made by a bone nut? That nut would be New Zealand–based artist Bruce Mahalski, who is known for his incredible animal illustrations as well as his haunting gun replica sculptures made from bones of various creatures.
I don’t really separate things. I love music and I love aesthetic art as well. I feel like there’s a thread between visual art and music. Sometimes a designer can give me a similar feeling and impact me as strongly as hearing a really cool song or a really great guitar player.