The Peter Green/Gary Moore 1959 Les Paul is perhaps the most famous example of bad pickups gone good. This is the guitar Green bought when he replaced Eric Clapton in John Mayall’s Bluesbreakers, and which he later sold to blues great Gary Moore. Its tone is unique, and hence has been sought after for decades.
So there I was, working alphabetically through my pedals, eventually making my way to “O” for “overdrive.” I resignedly popped the back plate off my Blackstone Appliances MOSFET Overdrive pedal, giving it my usual quick glance at the exposed circuit board—just long enough to think how much it resembles the London tube map and makes about as much sense.
I know they’ll never put it in the “How to Play Like…” column of a music magazine, but along with a “difficulty” level, there really ought to be a “fun” level. I once took a class from Keola Beamer, the master Hawaiian slack key guitarist. The most important thing he taught me that day was that if I wasn’t smiling, I wasn’t playing Hawaiian music right.
Here’s how the average guitarist’s brain functions in response to being unhappy with tone … Problem: Weedy tone.
Guitarist’s brain says: “Buy a Les Paul.” Problem: Wooly tone. Guitarist’s brain says: “Buy a Strat. No — a Tele. No, wait…buy both. And a new amp, just in case.” One simple problem. One $2,500 solution.