In the video below, Joe Satriani, Tosin Abasi (Animals as Leaders) and Guthrie Govan (the Aristocrats) sit down for a video conference with Guitar World Senior Editor Andy Aledort and discuss their approach and thoughts about guitar, technique, inspiration and the upcoming G4 Experience.
Below, check out a new demo video of Charvel's Guthrie Govan signature model guitar. The video was created and posted by the gang at Matt's Music Center in Weymouth, Massachusetts. I discovered Matt's Music because they're selling—via eBay—my next guitar.
From June 28 to July 2, 2015, musicians of all ages and levels will once again converge in California’s Central Coast for the second annual G4 Experience featuring Joe Satriani; Tosin Abasi and Animals As Leaders; Guthrie Govan and the Aristrocrats; and Mike Keneally.
Recently, I was watching a random Guthrie Govan lesson video on YouTube (I get a sick satisfaction out of watching guitarists who are much better than I am). In the clip, which you can check out here, Govan was discussing elements of his right-hand (or right-thumb) "slap" technique.
“Bad Asteroid” is a song that’s been bubbling away in my collection of unused tunes for about 18 or 19 years, and this new album gave me a good excuse to finally record it properly. In addition to requiring wacky and unusual tapping procedures, it features some nice harmonic interest in the chord progression over which the riff is played—what I like to describe as the “budget Steely Dan” chords.
Here's one we missed from late 2013! It's a fan-shot video of Paul Gilbert and Guthrie Govan jamming on ZZ Top's "Cheap Sunglasses." The video, which was posted last October, was shot at Gilbert's 2012 Great Guitar Escape at Full Moon Resort in Big Indian, New York.
We're not gonna lie, we like Guthrie Govan. In fact, you'll find a feature on Govan and the Aristocrats, his band with Bryan Beller and Marco Minnemann, in the all-new November 2013 issue of Guitar World.
I am often asked how I incorporate chromatic notes into my solos and how I approach playing “outside” the given key center of a
song. If you have ever used the blues scale, then you have already employed chromatic notes in some of the most musical ways possible.