Jerry Garcia is best known as the lead guitar player and primary singer/songwriter of the Grateful Dead. Though they are regarded as pioneers of the “jam band” genre that rose to prominence in the late Sixties, the Grateful Dead, unlike many of their counterculture contemporaries, never faltered with the changing times.
Many guitarists have often wondered, How can I play eight different string instruments during a song? By many, we actually mean one guitarist, specifically Justin Stone, who conceived his eight-neck Rocktopus guitar while absent-mindedly scribbling on a scrap of paper.
For their upcoming third full-length album, Wretched and Divine: The Story of The Wild Ones, Black Veil Brides turned their writing process upside-down. Instead of composing the music and then adding vocals as they did with 2010’s We Stitch These Wounds and 2011’s Set the World on Fire, the band crafted vocals and vocal melodies first, then encapsulated them with a variety of riffs and leads.
“We really wanted to give it the feel that you were in the room with the band,” Perry says. “Especially with headphones on. That’s how you get your best sound and have an intimate kind of experience. But loud, and rocky! I think there are a lot of different atmospheres on the record.”
“A lot of bands in our genre are happy where they’re at, and that’s fine,” says Ben Bruce, guitarist for British metalcore unit Asking Alexandria. “But it’s time for us to move upward and bring our fans into a new realm.”
A blues phrase is made up of three ingredients: what you play (the notes), when you play (rhythm) and how you play (your touch and sound). When players focus mainly on the what—scale patterns, arpeggios, picking technique and so on—the result tends to be a solo with lots of notes in constant motion, but if you change your focus to the when and how, you can deliver a breathtaking solo while barely moving your fretting hand.
We’re still in the process of writing and arranging, but we’re set to record in February. We’ve been writing since we finished recording [2011’s] The Discovery, so there’s definitely plenty of material. We’re sending the songs that we’ve completed back and forth with our team and getting everyone’s ideas and input to see how they can grow. Hopefully, the album will come out right around summertime.
Solidbody sensations like the Panthera Studio Supreme, Diablo and Earl Slick signature model have introduced a generation of players to the heirloom-quality instruments of Germany’s Framus company. But players who are new to the brand, especially in the United States, may not realize that Framus originally achieved worldwide notoriety for the hollowbody electrics that were faithfully played by legends such as John Lennon, Paul McCartney, Jan Akkerman, Charlie Mingus and the Rolling Stones’ Bill Wyman, to name a few.
In last month’s column, we explored a variety of ways to apply a modal approach to improvisation, with specific focus on minor tonalities and building from lines based on the E minor pentatonic scale (E G A B D) to ones based on the E Dorian mode (E Fs G A B Cs D), as well as E Dorian’s “parent” scale, D major (D E Fs G A B Cs).
“It surprises me that we’ve come up with such a hard-hitting album at this point in our career,” Clutch guitarist Tim Sult says of the band’s 10th studio album, Earth Rocke“It surprises me that we’ve come up with such a hard-hitting album at this point in our career,” Clutch guitarist Tim Sult says of the band’s 10th studio album, Earth Rocker. “I think it’s definitely, song-wise, the most intense, riffy, in-your-face experience yet.” r. “I think it’s definitely, song-wise, the most intense, riffy, in-your-face experience yet.”