Playing live might be the best way to hone your performance skills, but when it comes to technique, you need practice, practice, practice. If you play an electric guitar, your woodshedding sessions demand an amp that not only reveals the details and nuance of your playing but also sounds great—so great that it makes you want to practice more and become the best guitarist you can.
When it comes to echo and delay pedals, guitarists have a choice of analog or digital, each of which has its pros and cons.
Ibanez’s ES2 Echo Shifter combines the best of both worlds by mating a superb, no-compromises, all-analog audio path to a digital control circuit. Better still, the Echo Shifter features unique oscillation and modulation circuits that add greater versatility, letting you create everything from subtle to extreme sonic weirdness.
These videos and audio files are bonus content related to the September 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
Has any piece of musical equipment proliferated more, or more rapidly, than the humble electric guitar effect unit? Though there is no official tally, suffice it to say that thousands of stomp boxes, effect devices and processors have been created for the electric guitar over the past 60 years (and that’s not including rackmount effects). Conceivably, more than half of those devices are distortion, fuzz and overdrive effects.
Scofield’s latest project is a reunion with buddies John Medeski, Billy Martin and Chris Wood, the avant-garde jazzbos he first worked with on 1998’s A Go Go. Their 10-track studio release, Juice, is a mix of originals and covers, infused with the unique global funk jams the MSMW collaborative have come to be known for.