This two-minute-long demo of Ibanez's Iron Label RGIR20E guitar was posted late last month by Ibanez UK. It features plenty of closeups shots of the guitar and its EMG pickup — which is always nice — and a lot more.
The following content is related to the September 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
Has any piece of musical equipment proliferated more, or more rapidly, than the humble electric guitar effect unit? Though there is no official tally, suffice it to say that thousands of stomp boxes, effect devices and processors have been created for the electric guitar over the past 60 years (and that’s not including rackmount effects). Conceivably, more than half of those devices are distortion, fuzz and overdrive effects.
The origin of guitar distortion goes back to the earliest electrified blues guitarists. They didn’t care that their primitive tube amps were breaking up and distorting, as long as they were loud. Soon, blues guitarists grew quite fond of those nasty, gnarly distorted tones, and they sought to replicate them by any means necessary.
From bank-breaking record advances and extravagant arena tours to non-stop parties and girls dancing on cars, a guitarist's gear in the '80s had to be just as over-the-top as his look, whether he was sporting spandex or a nail-spiked armband.