When it comes to echo and delay pedals, guitarists have a choice of analog or digital, each of which has its pros and cons.
Ibanez’s ES2 Echo Shifter combines the best of both worlds by mating a superb, no-compromises, all-analog audio path to a digital control circuit. Better still, the Echo Shifter features unique oscillation and modulation circuits that add greater versatility, letting you create everything from subtle to extreme sonic weirdness.
These videos and audio files are bonus content related to the September 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
Has any piece of musical equipment proliferated more, or more rapidly, than the humble electric guitar effect unit? Though there is no official tally, suffice it to say that thousands of stomp boxes, effect devices and processors have been created for the electric guitar over the past 60 years (and that’s not including rackmount effects). Conceivably, more than half of those devices are distortion, fuzz and overdrive effects.
Scofield’s latest project is a reunion with buddies John Medeski, Billy Martin and Chris Wood, the avant-garde jazzbos he first worked with on 1998’s A Go Go. Their 10-track studio release, Juice, is a mix of originals and covers, infused with the unique global funk jams the MSMW collaborative have come to be known for.
No, it's not a leftover video from Y2K! It's actually a new video of Paul Gilbert playing Procol Harem's "A Whiter Shade of Pale" on a custom Ibanez "2000" light-show guitar in honor of the 2,000th "Video Exchange" from his Rock Online Guitar School.
The origin of guitar distortion goes back to the earliest electrified blues guitarists. They didn’t care that their primitive tube amps were breaking up and distorting, as long as they were loud. Soon, blues guitarists grew quite fond of those nasty, gnarly distorted tones, and they sought to replicate them by any means necessary.