We talked with guitarist Jon Hudson about the creative process for Faith No More's new album, Sol Invictus, what he did during the band’s 11-year touring hiatus and how technology has rocked his world.
Well, there was a talent show where they told us we were too loud and kicked us out, but my first gig was with Panic at Huntington Beach. Although the sex, the girls and the drugs were rampant, it was marred by the death of two friends: the guy who did our sound and our drummer at the time.
The Beach Boys had a really cool guitar sound. I also liked the guitarists in the Searchers and the Dave Clark Five. Then Jimi Hendrix and Pete Townshend hit, and it turned the guitar world on its ear. The more I got into playing guitar, the more I enjoyed music and the broader my listening became. The instrument itself became important to me, and I started messing around with classical guitar and took classical lessons.
Hearing the Ventures and Elvis Presley when I was eight years old. But my guitar teacher thought I should learn jazz standards first, and the training really paid off. I was taught theory, reading and understanding the instrument.
The first thing that I did was write a song. As far as I can tell, it was called “Bluebird.” I still have the piece of paper, and it’s a little difficult to decipher. It looks like the scribblings of a mad schizophrenic. I remember playing that for hours and trying to impress my family that I already started writing songs.