The following content is related to the September 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.
Welcome to String Theory, a new column dedicated to imparting guitar-centric music theory concepts in a practical, useful way that you can readily apply to composing and improvising. Rather than show you a bunch of dry, abstract textbook examples of how chords are built from and live within various scales, I will try to keep things interesting and inspiring by presenting etudes.
So last Thursday, I brought my Gibson SG Faded Special with the snapped-off headstock to my pal Matt Brewster, luthier extraordinaire, all-around great guy and owner-proprietor of 30th Street Guitars in New York City. He had the guitar completely fixed, restrung and ready to rock by Monday ...
I had just gotten to work in the morning and went to sit down at my desk, right next to where I had precariously balanced my Gibson SG Faded Special before leaving work the previous day. I inadvertently bumped into the guitar, causing it to slide and fall sideways onto the floor, which is concrete covered with a thin carpet.