When skipping to another string, often the first note is hammered on "from nowhere" by one of the fret-hand fingers [indicated by "H"]. Strive for an even attack and volume note to note, making each hammer-on quick and firm. When pulling off, flick the string slightly sideways, in toward the palm.
The exercises in this month’s column emphasize pick-hand techniques that are intrinsic to my style: sweep picking, alternate picking and multiple-finger fretboard tapping. Specifically, I wanted to create a convergence of these different playing techniques within a musical-sounding piece.