A stomp box may seem like an insignificant item in the history of rock and roll, but it’s hard to imagine how some of the greatest songs of the Seventies and Eighties would have sounded without the influential role of MXR pedals.
Hello, and welcome to my new GW instructional column. It’s good to be back! I hope the ideas and concepts I present here in the coming months will give you inspiration and insight into your own path to musical creativity. The most important thing I can say is that you should always strive to make your own distinct musical statement with what you play on the guitar.
Well, look at the bands who were involved in [the 2012 film] Rock of Ages. Their people came to us early and they showed us the movie and we said, “This is a complete farce. It’s a cheesy movie. It has nothing to do with rock. This is like Mamma Mia! with pretend guitars.”
In the new June issue, we interview Motley Crue. After more than 30 years together, the Crue are calling it quits. Mick Mars and Nikki Sixx talk about their past excesses and achievements — and what the future holds for them all.
My very first guitar was a nylon-string classical instrument. Since then, I’ve bought well over 100 other guitars, but none of them was a classical.
With the introduction of Cordoba’s C10 Crossover, I may have finally found the affordable classical guitar I’ve been looking for, and I’m sure many other electric and steel-string players will feel the same way.
“After this, Mötley’s done!” proclaims Mick Mars. He’s talking about Mötley Crüe’s recently announced Final Tour, which will see the band crisscross the globe—with Alice Cooper in tow for the North American leg—for one last hurrah. It’s a farewell celebration of the highest order, and one that is, Mars assures, truly a farewell.