Stevie Ray Vaughan fans got a nice little bonus in 1985, when Alligator Records released Lonnie Mack's masterful Strike Like Lightning album. The album, which actually was co-produced by Vaughan and Mack, features Vaughan on several tracks, playing both electric and acoustic guitar, something that very rarely happened.
Stevie Ray Vaughan released four studio albums, a live album and a Vaughan Brothers album, not to mention enough leftover live and studio material to fill several posthumous albums and a box set. He even found the time to perform on albums by several other artists — from Teena Marie to Stevie Wonder to Don Johnson — very often with fiery results.
Fifty years ago, during the short interlude between Elvis and the Beatles, there was a brief sighting of that rarest of species: the “instrumental hit record.” Riding on the coattails of surf music came a spate of non-vocal bestsellers in styles ranging from cool R&B (Booker T. & the MGs’ “Green Onions”) to funky piano jazz (Ramsey Lewis’ “The In Crowd”) to shuffle blues (Freddie King’s “Hide Away”).