Today, GuitarWorld.com presents the worldwide premiere of a new recording and performance video by The Commander-In-Chief, a female seven-string guitarist from Norway who now lives in England, and classical guitarist Craig Ogden. The uber-talented duo have collaborated on Caprice No. 24 by Niccolo Paganini, the 18th- and 19th-century Italian composer whose music influenced scores of guitarists, including Yngwie Malmsteen.
A couple of weeks ago, I gave you a short, 30-minute guitar workout designed for guitarists whose practice time is limited. The positive response I received prompted me to create an additional lesson, which, in combination with my original workout, will give you a good hour of intensive practice.
Everyone remembers Tina S., right? She's the 14-year-old French guitarist who's been blowing everyone's mind with her effortless renditions of Eddie Van Halen's "Eruption" (Watch it here) and her tribute to composer Antonio Vilvaldi (Watch it here).
Just memorizing this piece is a challenge in itself. After doing so, you can finally begin to build speed. You can accomplish this by playing the entire piece or break it into smaller sections and work them up to speed individually. I prefer to play the whole thing, start to finish, and increase the tempo gradually.
High school was kind of a gray area for me: I was at school physically, but mentally and emotionally I was light-years away. For some reason the principal must have seen something in me, even though I was a complete rebel, and he cut me slack in a lot of ways.
I forgot to tell you that in some circumstances, you might find it easier to arrange some of the notes differently than what the tab states in certain sections. As long as you are playing the exact same notes, it is totally fine to rearrange the positions on the fret board in order make it easier for you to play. The tab is just a suggestion for where the notes should be played.
Of all my musical influences, classical violinist Niccolo Paganini has to be on top of the list. Though he lived in the late 18th century (long before image became as important in the making and marketing of musicians as their actual music), his extreme personal magnetism coupled with truly mind-boggling technique made him the world’s first bona fide rock star.