Featuring performances by multi-platinum artist Colbie Caillat, rock icons The Bangles, Grammy nominated saxophonist Mindi Abair, guitarists Orianthi and Richie Sambora, the event celebrated women in music.
This time around we’re going to focus on recording technique and some production tips to address some things that some folks often overlook when trying to achieve the sounds of their favorite records. These are techniques that I have used on many records, including the last two Bret Michaels albums, as well as the theme songs to Rock of Love, Life as I Know It and Speed Channel’s Supercross.
One thing I mentioned but I don't think I stressed enough is that while you can use AmpliTube and other apps as real-time plug-ins, I personally don’t recommend it. On one hand, you get the amazing ability to change everything from amp model to mic placement long after you've captured the perfect take, right into the final stages of mixing. The options can be endless — and to me, that’s a problem.
In the last few years, we have been fortunate enough to have two Top 40 records full of guitar-driven rock and roll in a time when we all hear the "Rock is dead" phrase way too often. That being said, we spend nine months a year on a tour bus and are not able to get into world-class or even local recording studios when the creative juices start flowing.