Paul McCartney, who had unofficially taken up the job of lighting various fires under the band after Brian Epstein's death, had a plan to get his band mates back into the spirit of things and, more importantly, back into the studio: a "return to our roots" approach that would make little or no use of studio artifice or multiple overdubs.
As a musician, Paul McCartney is probably best known for his creative, melodic Beatles and Wings bass lines, but he's always been a guitarist at heart. The guitar was, after all, his first instrument (if you ignore the trumpet his father gave him for his 14th birthday), and it's always been his main songwriting tool. Here are McCartney's top five electric guitar solos as a Beatle.
“Hmmm, let’s see now...the ’57 Gretsch or the ’58 Goldtop?” Joe Walsh contemplates a bevy of highly collectible vintage guitars strewn in open cases across the floor of a Hollywood photo studio. Broad shouldered and looking fit, he towers over the instruments, meditatively stroking his chin. A Guitar World cover shoot is serious business, and Walsh brings to it consummate professionalism that has guided him through over four and a half decades as a classic-rock guitar legend.
Ken Scott -- one of a handful of recording engineers to have worked with The Beatles -- has stories to tell. And lucky for us, he loves telling them. To emphasize the point, Scott will be publishing a 500-page memoir, Abbey Road To Ziggy Stardust, on June 6 through Alfred Music Publishing. The book recounts the events of what Scott calls his "blessed life" working with innumerable rock legends.
If you’re new to the game and just discovering Jack Blades, you’re likely to think of him as a founding member/lead vocalist/bassist for the rock band Night Ranger. In fact, Blades is a multi-faceted artist who can easily transition from the volume of arena rock — with Night Ranger or Damn Yankees — to the stripped-down acoustic sounds of Shaw/Blades, his project with Styx vocalist/songwriter/guitarist Tommy Shaw.
Having opened a Pandora's box with their critically acclaimed and commercially successful album Sgt. Pepper's Lonely Hearts Club Band, The Beatles faced serious competition from a variety of openminded artists who were expanding rock music's barriers.
While The Beatles spent the first months of 1969 getting back to their roots with the Let It Be sessions, EMI's Abbey Road Studios was moving headlong into the future. On November 23, 1968, Studio Two's control room had been outfitted with EMI's new TG12345 mixer, the first transistorized recording console in Abbey Road.
"You Can't Do That," one of many jealousy-themed songs in John Lennon's catalog, was released as the B-side of "Can't Buy Me Love" on March 20 while the band was hard at work filming A Hard Day's Night. It is the first of the film songs to be recorded at Abbey Road Studio Two -- on February 25, 1964 -- after the band's successful trip to the United States.
Ringo Starr has announced that there will be another All Starr Band tour this summer, and he's named the new band lineup. This time around, the band will include Starr, Todd Rundgren, Gregg Rolie (Santana), Steve Lukather (Toto), Richard Page (Mr. Mister), Mark Rivera and Gregg Bissonette.