This month we’re excited to give away two tickets to the SongTown 9 Spot Coffee Shop webcast. I’ve personally attended these webcasts and they are chock full of useful, practical information for songwriters of every level. Plus you can ask your questions live. This month’s webcast brings in hit producer Jody Stevens and takes place on August 28, 2014 at 7:00pm Central Time. With your ticket you’ll get easy login information about how to join the event online.
So you've finished your latest greatest song and it's time to do a demo. Should you do a full band demo or a simple guitar/vocal? The next decision you make can be the difference in an artist recording your song or not! I'd like to step you through the thought process my co-writers and I used on the way to landing our song "Gotta Love It" on the latest Joe Nichols record.
Be the worst person in the room if you’re the songwriter. It’s one rule I’ve tried to follow and succeeded with to some degree. In the case of recording, if I’m the worst person in the room, then my recording is going to be all the better for it.
I have a degree in Psychology and I love to observe people. It’s fun to try to figure out what makes people tick. It’s also interesting to me to study successes and failures to better understand what causes one or the other. Here are my observations about successful songwriters.
I’m very excited to share our Songwriter Sessions: Live submission winners! Each one of these performers will share their submitted song at an event taking place at the NAMM show in Nashville, TN on the Acoustic Nation Stage.
One of our Songtown citizens asked the question "How do you decide which artist to give your song to?" So, I thought I would answer that one to the best of my ability. Sadly, in my experience, it doesn't happen too often that multiple artists are fighting over the same song. I wish that happened more. But, most often, you have one artist wanting to cut your song.
Announcing Songwriter Sessions: Live! Enter for your chance at not only performing your song on the Acoustic Nation stage, but also having it critiqued and discussed by #1 hit songwriter and Songtown USA founder, Clay Mills and Acoustic Nation editor, Laura B. Whitmore.
I write very quickly. Not by design. It just generally happens that way. When I first began trying to write professionally, I realized that I wrote slowly and methodically. In fact, sometimes I was so slow that I would have to book another day with a writer to finish the song. It took a while to realize that this frustrated some of my co-writers and cost me some co-writing relationships.
While this statement applies beautifully to any and all court proceedings, when it comes to songwriting, things get a little more complicated. This week’s blog is philosophical as well as task driven. As you rewrite and refine your songs, it’s important to consider the different ways in which you can tell your story. And that sometimes means going a bit deep to find what is the “truth” for you for that particular song.