One of the most wonderful and useful concepts we teach at Berklee is a technique called “recoloring.” Recoloring is when you structure your verses so that your chorus “gains weight” in meaning every time you hear it. Effective recoloring requires thought and deliberation, so it’s something that very rarely happens in the first draft of a song.
This is it! You’re inspired to write a song! In a frenzy of creativity, you work out a fabulous verse and an equally fabulous chorus! And then it happens….nothing. You run completely out of steam and don’t know why. You start telling yourself, “Maybe a song that’s only 1 minute and 23 seconds is long enough? It’s “minimalistic” music, right?” Welcome to SECOND VERSE HELL!
I think a lot about why I write. Is it all a big vanity project? Am I capable of having a new, independent thought? Is anyone? Does anyone really care about this? Will what I write make a dent in the social consciousness? Will I actually be able to touch someone’s life? Would my efforts be better spent rolling up my sleeves and serving lunch at a soup kitchen? I think a lot about that one.
This five part series is dedicated to what happens beyond the first draft of your song. Sometimes, songs are born to you like the Goddess, Athena. They spring out of your noggin’ fully formed and perfect. Don’t you love songs like that? They’re gifts from whatever higher power or inner power you believe in. Accept them and be grateful.
There is power in simplicity. When you write something in simple, conversational language that nails people right in the heart, the listeners have this "aha" moment where they slap their head and say "That's exactly how I felt when..."
In March singer/songwriter Wendy Beckerman won best song of the month at the West Coast Songwriters Contra Costa Chapter competition. Her winning song, “Things the Times Haven't Changed,” is a beguiling recitation of timeless delights. It sounds like home in a most wonderful way. Hear it here!
I read an interview with the lead singer for a band that just had their first big hit single. The person doing the interview (out of ignorance) said, “What’s it like to be an overnight success?” The lead singer’s response was priceless. He said, “That was one hell of a night.”
Many of you have heard me tell that I have demoed over 6,000 songs and have around 80 cuts. That's not a great cut to demo ratio. I don't even want to know what percentage that would be.vBut, I have discovered that one of the keys to being successful is failing a lot while keeping your enthusiasm up.
When I first began writing, I wrote from an innocent and raw place. I was 11 years old when i wrote my first song. As I recall, it was about Lee. She lived up the street from me and we had been classmates at school since first grade. So I wrote my first song about my first crush. I had something to say. It came from a place of passion. I wanted so badly to be able to say to Lee what I was writing down on paper.