It has become a huge part of my playing style, and I’m always looking for new and different ways to incorporate sweep picking into musical ideas I come up with. Last month, I detailed the basic mechanics of the technique, and now I’d like to further demonstrate its proper execution.
Hello again, Guitar World readers. It’s nice to be back! I’d like to begin this new series of columns by talking about getting started with sweep picking, which is a very useful and exciting technique that I often use to perform fast arpeggio-based licks and runs.
When working on writing melodies for my original compositions, my standard approach is to examine the chord progression in order to determine which scales or modes would best apply. A mode is the notes of scale, such as the major scale, oriented around a different root note and chord; Modes offer great flexibility in terms of the way they relate to a set of chords within relative keys.