Each fall, Reverend Guitars takes one of its models and turns up the volume a bit to make a limited-edition machine. This year, the company chose the Charger 290. The model will be released in three colors: Metallic Alpine Green, Metallic Red and Lakeshore Gold, all with cream pickguards and cream pickup covers.
In his unwavering pursuit of success, particularly through the challenges of Aerosmith’s early years, Brad Whitford displays a kinship to the ultimate tenacity of the Les Paul design: the time-will-prove qualities and heroic achievements of a guitar that wasn’t fully appreciated until half a decade after it was deleted from the Gibson catalog.
Robby Krieger’s 1954 Les Paul Custom became a constant writing companion, workhorse, performing partner, muse and musical soul mate all rolled into one right from the time he acquired it used in 1968. Nicknamed “L.A. Woman” after its use on that classic track by The Doors, it contributed to many unforgettable hits, and remains in Robby’s possession to this day, a tried and true companion to a career that has continually evolved and inspired over decades.
In 1985, while the world was focused on the birth of the first.com, a new computer operating system called Windows and “Live Aid,” an Annapolis, Maryland, guitar repairman decided to create a namesake guitar company called Paul Reed Smith Guitars.
This is a truly distinctive Falcon—a classic G6136T model dressed in a soft blue finish that we call Crème de Marine. Together with the gold appointments and classic style, it’s an elegant look as calm as quiet seas.
Some bands — like Gwar or Ghost B.C., for example — don't need scary gear to be scary. That said, if they were wielding any of the axes featured in this photo gallery, well, let's just say it wouldn't hurt.