CJ Guitar Tooling offers three-saddle sets that are compensated (angled) for better intonation. Each set is hand-made the “old school” way to bridge the gap between vintage tone and modern convenience.
Put a Sixties Fender Twin next to a modern Crate practice amp, and you won’t see or hear many similarities — besides reverb. The effect is used to add dimension to your sound and help smooth out dynamics — to sound less like a textbook, if you will. Reverb is, hands down, the reason terrible singers think they sound great in the shower!
I have a beautiful recording setup, but I have to set it up! This means running cables, plugging in things and figuring out why I’m not getting sound. Next I’ll mull over recording my idea on a cell phone, but I always forfeit that thought knowing I’ll get lackluster results. The Nessie by Blue is a USB plug-and-play microphone. There are no drivers to download, no access codes to enter.
The quilted exterior is water resistant. The feel and texture reminds me of something between a canvas backpack and a track jacket. What I like about this is if anything gets on it, you can wipe it right off with a wet cloth and not worry about damaging the bag. The backpack straps are fully adjustable. Right above the straps is a triangular handle, referred by Reunion Blues as “the subway grip.”
Guitar amplifiers disguised as effect pedals are nothing new, but most are fairly limiting in one way or another. Usually, the space-related convenience usually leads to an inconvenience in the tone or power department. Then there's the Taurus Stomp-Head 4.SL. Let’s start with the power. The Stomp-Head 4 can be run at 40 or 70 watts.
“Boutique tones for guitarists on a fast food budget” is the catch phrase for Tone Bakery’s new line of pedals. With a Klon Centaur going for nearly $3,000 these days, I can understand what Tone Bakery is going for by releasing the Creme Brulee — its take on the iconic Centaur boost/overdrive pedal — for less than $100.
If the name "Intimidator," the camouflage motif or a Punish knob wasn’t enough of a tip-off, this is a seriously high-gain distortion pedal. It doesn’t clean up well, it doesn’t return phone calls, it doesn’t whisper, it screams!
What good is it if I continue to review a bunch of flashy new gear if I'm running out of cool licks to play? Here are four new books from Hal Leonard. They cover pentatonic licks, chord progressions, expanding your blues vocabulary and blues guitarist Mike Bloomfield’s style.
Mooer has released the Mod Factory, which packs 11 effects into a micro pedal design. With only one switch, four knobs and a chart explaining everything on the side of the pedal, it almost seems too easy. The effects are Chorus, Flanger, Phaser, Envelope Phaser, Tremolo, Stutter, Vibrato, Univibe, Auto-wah, Touch Wah and Envelope Ring.
Canadian-based Fairfield Circuitry released what it thinks a guitarist’s compressor should be. The Accountant, which is based on a JFET feedback compressor, gives you everything from barely noticeable to full-on squashed compression. With a fixed Threshold, it offers just a pair of three-way toggle switches to adjust the compression levels.