In his unwavering pursuit of success, particularly through the challenges of Aerosmith’s early years, Brad Whitford displays a kinship to the ultimate tenacity of the Les Paul design: the time-will-prove qualities and heroic achievements of a guitar that wasn’t fully appreciated until half a decade after it was deleted from the Gibson catalog.
Robby Krieger’s 1954 Les Paul Custom became a constant writing companion, workhorse, performing partner, muse and musical soul mate all rolled into one right from the time he acquired it used in 1968. Nicknamed “L.A. Woman” after its use on that classic track by The Doors, it contributed to many unforgettable hits, and remains in Robby’s possession to this day, a tried and true companion to a career that has continually evolved and inspired over decades.
AC/DC have premiered "Play Ball," the first music video from their new album, Rock or Bust. You can check it out below. In keeping with the song's title, the clip is a tribute to sports (and other things) that involve balls ... and perhaps to people who wear bikinis.
GuitarWorld.com's latest readers poll—the first annual Jim Dunlop Effect Pedal Throwdown—has reached Round 2! For the past month, we've been pitting Dunlop, MXR and Way Huge pedals against each other in a no-holds-barred shootout. Now the competition is guaranteed to get even tougher.
Fender is proud to introduce two new instruments, the Brown Derby Resonator and Top Hat Resonator. Fender’s Brown Derby Resonator gives a jaunty tip of the hat to phenomenal round-neck reso-phonic sound and style. Pure resonator tone rings from the mahogany body and maple top, which features dual Fender “F” soundholes and a special Eastern European “Continental” cone of hand-spun aluminum.
In 1985, while the world was focused on the birth of the first.com, a new computer operating system called Windows and “Live Aid,” an Annapolis, Maryland, guitar repairman decided to create a namesake guitar company called Paul Reed Smith Guitars.