Even though Metallica's James Hetfield makes it look all too easy, there are countless guitarists who find it challenging to sing while doing anything on the guitar — besides strumming. Some players (myself included) even get bent out of shape when they're asked to provide the simplest of vocal harmonies while playing basic to semi-challenging riffs.
In this new feature from the August 2014 issue of Guitar World, the guitarists of Avenged Sevenfold, Morbid Angel, Trivium and other metal acts tell how they'll beat the heat and tame the crowds on the season's biggest tours.
A forthcoming film of Eric Clapton's 2014 world tour might just be a document of the guitarist's final tour — ever. The DVD, which is titled Planes, Trains and Eric, documents the Far and Middle Eastern leg of Clapton's tour, intercutting backstage and on-the-road vignettes with full-length performances of songs, including “Layla,” “Wonderful Tonight,” “Cocaine,” “I Shot the Sheriff” and “Crossroads."
In the newly posted video below, Dream Theater guitarist John Petrucci discusses and demos Ernie Ball's M-Steel guitar strings. Ernie Ball calls the strings, which were introduced earlier this year, "the world's loudest, most expressive strings ever created."
David knew Graham, and he came to our Crosby & Nash show in London a couple of times and liked our harmonies and our way of going at it, and he asked us to sing on [his 2006 solo album] On An Island. In the process, we got to be pretty close friends. He asked us to sing at his concert in London.
Foo Fighters have officially announced the premiere date of the Dave Grohl-directed HBO documentary series Sonic Highways. They've also confirmed that the first single off their new album will be released the same day.
Robert Plant has announced a string of fall North American dates with his band, the Sensational Space Shifters. While he was at it, he also premiered a live video for "Rainbow," a track from his new album, Lullaby and... the Ceaseless Roar.
I love runs like this, and I play these types of elongated patterns often. Here, I pick the first note on each string and use hammer-ons, pull-offs and legato slides, at times in combination, to give the notes some variation in attack and create smooth phrasing.
Here's a crazy-sounding video game–type lick that requires flexibility and dexterity to execute accurately. The object is to move seamlessly across the fretboard, using a wide-stretch symmetrical diminished arpeggio shape with the fret hand’s first, second and fourth fingers, coupled with a right-hand tap, which makes it a diminished-seven arpeggio.