News http://www.guitarworld.com/taxonomy/term/4/0 en The Ataris Tour Blog: How I Learned to Stop Worrying & Love My Ovation Acoustic http://www.guitarworld.com/ataris-tour-blog-how-i-learned-stop-worrying-love-my-ovation-acoustic <!--paging_filter--><p><em>The Ataris just wrapped a tour that reunited the classic lineup that created their 2003 major label debut</em> So Long, Astoria.<em> Guitarist John Collura documented this reunion. Check out the second installment of his report below.</em></p> <p>Let me just put this out there, I love my Martin. I'm the type of person that would want to keep my Martin in a glass case at all times. With that said when I go on the road I like to take an acoustic guitar with me to write. When traveling on a bus it's really easy to be able to carry an acoustic guitar on board and stow it away in a junk bunk or back lounge. </p> <p>But when traveling with a van and trailer it becomes more difficult. I know there are some really great road cases built specifically for acoustic guitars. SKB makes a really nice one, but with quality comes price. So on this latest tour I went out on I opted not to bring my Martin because I was paranoid with leaving it in the trailer. My friend Jason at Fender/Ovation helped me out with an alternative solution. He sent me out an Elite T 2078TX Ovation guitar.</p> <p><img src="/files/imce-images/Ataris-Ovation-Martin.jpg" width="620" height="422" alt="Ataris-Ovation-Martin.jpg" /><br /> <strong>Collura's new Elite T 2078TX Ovation (left), and his beloved Martin</strong></p> <p>Yeah I know what your thinking, I have a Martin and took out an Ovation instead. Well to my surprise this 2078TX has some serious tone, it's not your Uncle Rick's Ovation from his 1980's terrible cover band. And even more surprisingly, the guitar is built like a brick shit house. It's covered in a textured enamel, like the same as the back of a pickup truck. I'm not concerned with babying this guitar, it's built to be road worthy and the action and feel of the guitar is really comfortable.</p> <p>Does this mean I'm done with my Martin, hell no, but I couldn't be more happy to have a durable, great sounding acoustic that I can take on the road. </p> http://www.guitarworld.com/ataris-tour-blog-how-i-learned-stop-worrying-love-my-ovation-acoustic#comments John Collura The Ataris Blogs News Thu, 17 Apr 2014 16:01:43 +0000 John Collura http://www.guitarworld.com/article/21029 Hear It Now: Mastodon Premiere New Song "High Road" http://www.guitarworld.com/hear-it-now-mastodon-premiere-new-song-high-road <!--paging_filter--><p>Atlanta's Mastodon have just premiered a new song, “High Road.” The song comes off <em>Once More Round the Sun</em>, their sixth studio album to be released this summer.</p> <p>Check it out below and let us know what you think in the comments.</p> <p><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/145055304%3Fsecret_token%3Ds-kgi7V&amp;auto_play=false&amp;hide_related=true&amp;visual=true" height="360" width="630" frameborder="no" scrolling="no"></iframe></p> http://www.guitarworld.com/hear-it-now-mastodon-premiere-new-song-high-road#comments Mastodon News Thu, 17 Apr 2014 15:34:00 +0000 Guitar World Staff http://www.guitarworld.com/article/21037 Update: Malcolm Young "Taking a Break" from AC/DC http://www.guitarworld.com/update-malcolm-young-taking-break-acdc <!--paging_filter--><p>It seems there's some sad truth behind the <a href="http://www.guitarworld.com/report-acdc-call-it-quits-due-malcolm-youngs-illness">speculation</a> surrounding AC/DC's imminent breakup due to Malcolm Young's health issues.</p> <p>The classic hard rock band may not be breaking up, but their rhythm guitarist is, for the moment, stepping down to deal with health issues.</p> <p>Here's the official statement from the band, which appeared earlier today on their <a href="https://www.facebook.com/acdc">official Facebook page</a>: </p> <p>"After forty years of life dedicated to AC/DC, guitarist and founding member Malcolm Young is taking a break from the band due to ill health. Malcolm would like to thank the group’s diehard legions of fans worldwide for their never-ending love and support.</p> <p>"In light of this news, AC/DC asks that Malcolm and his family’s privacy be respected during this time. The band will continue to make music."</p> <p>Our thoughts go out to Malcolm and his family.</p> <p>We'll keep you posted as we hear more.</p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/acdc">AC/DC</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/update-malcolm-young-taking-break-acdc#comments ACDC Malcolm Young News Thu, 17 Apr 2014 11:34:44 +0000 Brad Angle http://www.guitarworld.com/article/21028 Pantera Combo Offer: Get New Pantera Issue of Revolver and Limited 'Far Beyond Driven' T-Shirt for $24.99 http://www.guitarworld.com/pantera-combo-offer-get-new-pantera-issue-revolver-and-limited-far-beyond-driven-t-shirt-2499 <!--paging_filter--><p>There's a new combo offer at the <a href="http://guitarworld.myshopify.com/products/revolvers-may-june-pantera-issue-and-far-beyond-driven-t-shirt/?&amp;utm_source=gw_homepage&amp;utm_medium=daily_scroller&amp;utm_campaign=FarBeyondDrivenCombo">Guitar World Online Store!</a></p> <p>Get <em>Revolver</em> magazine's April/May 2014 Pantera issue and a limited <em>Far Beyond Driven</em> T-shirt for $24.99! </p> <p>The cover story of the newsstand edition of the latest issue of <em>Revolver</em> tells the story behind Pantera's <em>Far Beyond Driven</em>. The album, which still stands as the heaviest record to debut at Number 1 on the charts, turns 20 this year.</p> <p>In commemoration of that anniversary, <em>Revolver</em> also has created a highly limited-edition T-shirt paying tribute to the album. Only 250 T-shirts have been printed, so take advantage of this issue AND T-shirt combo offer before they sell out!</p> <p><strong><a href="http://guitarworld.myshopify.com/products/revolvers-may-june-pantera-issue-and-far-beyond-driven-t-shirt/?&amp;utm_source=gw_homepage&amp;utm_medium=daily_scroller&amp;utm_campaign=FarBeyondDrivenCombo">Head to the Guitar World Online Store now!</a></strong></p> http://www.guitarworld.com/pantera-combo-offer-get-new-pantera-issue-revolver-and-limited-far-beyond-driven-t-shirt-2499#comments News Thu, 17 Apr 2014 11:32:48 +0000 Guitar World Staff http://www.guitarworld.com/article/21023 Listen: Rare Soundgarden "Black Hole Sun" Demo http://www.guitarworld.com/listen-rare-soundgarden-black-hole-sun-demo <!--paging_filter--><p>Soundgarden are celebrating the 20th anniversary of their hit record <em>Superunknown</em> with a couple special reissue packages, available on June 3, 2014 via A&amp;M Records/UME. The Deluxe Edition is a 2-CD package featuring the remastered album along with disc two consisting of demos, rehearsals, B-sides and more.</p> <p>The Super Deluxe Edition is a 5-CD package featuring the remastered album, additional demos, rehearsals and B-sides and the fifth disc is the album mixed in Blu-ray Audio 5.1 Surround Sound. The Super Deluxe Edition is incredibly packaged in a hardbound book with a lenticular cover, liner notes by David Fricke and newly reimagined album artwork designed by Josh Graham. It also features never before seen band photography by Kevin Westenberg. A 2-LP gatefold of the original 16 vinyl tracks remastered on 200-gram vinyl in a gatefold jacket will also be made available. In addition, the Superunknown singles and associated b-sides with newly interpreted artwork sleeves by Josh Graham will be reissued on Record Store Day, April 19th, as a set of five limited edition 10″ vinyl records.</p> <p>Give a listen to their "Black Hole Sun" Demo, from this new release, below.</p> <p><iframe width="100%" height="450" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/143824508&amp;auto_play=false&amp;hide_related=false&amp;visual=true"></iframe></p> http://www.guitarworld.com/listen-rare-soundgarden-black-hole-sun-demo#comments Soundgarden News Wed, 16 Apr 2014 20:23:07 +0000 Guitar World Staff http://www.guitarworld.com/article/21031 The Ataris Tour Blog: "Tubes? We Don't Need No Stinking Tubes!" http://www.guitarworld.com/ataris-tour-blog-tubes-we-dont-need-no-stinking-tubes <!--paging_filter--><p><em>The Ataris just wrapped a tour that reunited the classic lineup that created their 2003 major label debut </em>So Long, Astoria<em>. Guitarist John Collura documented this reunion. Check out the first installment of his report below.</em></p> <p>I just got home form being out on The Ataris, "So Long, Astoria Reunion Tour". Prior to leaving for tour I was debating which amp I would take with me. We performed our record <em>So Long, Astoria</em> in its entirety so I was consciously making an effort to take the most versatile amp that I own. </p> <p>I have been playing in bands for almost 18 years and I've become a bit of tone snob. I currently own four different amp heads and all of them are amazing tube amps. The problem is, they are all great at producing their own tone. Doesn't sound like a problem until you have to perform an entire record that was produced using multiple types of amplifiers.</p> <p>Weeks before I left for tour I was extremely lucky to be introduced to the fine folks at Blackstar. They had me come down to their showroom and try out all types of wonderful amps, all of them being tube heads. The last amp that we tried out was the Blackstar ID 100 TVP head. When we fired this baby up everyone in the room turned their heads with their mouths open.</p> <p><img src="/files/imce-images/Blackstar-Comp.jpg" width="620" height="422" alt="Blackstar-Comp.jpg" /></p> <p>The power, bite and bottom end out of this amp was incredible. It was then brought to my attention that this is not a tube amp, it's all digital. I couldn't believe it so I needed to test it out some more. I was already sold on the massive amount of distortion and gain the amp had but I needed to see if this thing could produce some natural breakup. Here's where things get really interesting.</p> <p>The amp is basically a tube emulator, it models 6 different types of tubes (EL84, 6V6, EL34, KT66, 6L6, KT88) which they call True Valve Power or TVP. The ID 100 also has 6 different voicing features Clean Warm, Clean Bright, Crunch, Super Crunch, OD1, OD2. I tried the Super Crunch channel matched with the KT66 and pushed the gain to about 1 o'clock and now the amp sounds like a Vox on steroids! </p> <p>The possibilities are endless and there's no shortage of tone or versatility, there's just no tubes. I asked Blackstar for one amp and they gave me 36! I challenge anyone to a blind test that you will never believe this amp is all digital. Sorry you elitist tube snobs, the Blackstar ID 100TVP is the real deal.</p> http://www.guitarworld.com/ataris-tour-blog-tubes-we-dont-need-no-stinking-tubes#comments John Collura The Ataris Blogs News Wed, 16 Apr 2014 16:02:53 +0000 John Collura http://www.guitarworld.com/article/21022 Dog Camp: Richie Kotzen and Mike Portnoy Discuss the Winery Dogs' Immersive New Camp for Musicians http://www.guitarworld.com/dog-camp-richie-kotzen-and-mike-portnoy-discuss-winery-dogs-immersive-new-camp-musicians <!--paging_filter--><p>If you've ever wanted to get up close and personal with three of rocks' most talented musicians, here’s your opportunity. </p> <p>Richie Kotzen, Billy Sheehan and Mike Portnoy — better known as the Winery Dogs — have announced Dog Camp, their first-ever immersive program for aspiring musicians of all ages and levels.</p> <p>The event is set for July 21 to 25, 2014, at Full Moon Resort in Big Indian, New York.</p> <p>Attendees will be able to take part in instrument specific clinics and will learn about songwriting mechanics and the music industry. They'll even get to enjoy intimate performances by the Winery Dogs.</p> <p>If you’re a guitarist, bassist or drummer, there’s a course path for you to follow. But Dog Camp promises to be a deeper experience; the campers will be living, hanging out and jamming together. You’ll also be able to ask the hosts as many questions as as you want — and Kotzen, Sheehan and Portnoy will initiate one-on-one and group sessions to help you realize your goals as a player.</p> <p>I recently spoke to Kotzen and Portnoy about Dog Camp and what’s next for the band.</p> <p><strong>GUITAR WORLD: What was the reason behind the inaugural Dog Camp?</strong></p> <p><strong>Kotzen</strong>: It was something that was brought to our attention by our manager. Billy and I have done our fair share of clinics and have also participated in Rock and Roll Fantasy Camp. The idea of being in a position where you can actually sit and talk and play with people who are buying your records or are listening to what you do is inspiring.</p> <p><strong>What will a typical day be like?</strong></p> <p><strong>Kotzen</strong>: There will be a lot of one-on-one time and in groups. We’ll also have opportunities to play together, but not just cover songs. I really want to address improvisation and being able to unlock yourself and play with other people. </p> <p>I also like getting involved in what I call “concepts." Asking yourself, “Why am I learning the instrument and what are my goals and objectives?” Then we can start talking about how you can get there. For me, I use the guitar as a creative outlet to express myself; my biggest ongoing goal is to make the connection between me the person and the music that you hear.</p> <p><strong>Portnoy</strong>: We plan to do a lot of things individually and collectively. The "collectively" being the Winery Dogs doing special intimate shows and situations where the three of us will be open to question-and-answer sessions and playing unique things people won’t normally get at a traditional concert. </p> <p>Individually, we’ll be doing classes where we talk about our instruments, the business and industry and jamming with fellow musicians and campers. It’s going to be a very unique experience.</p> <p><iframe width="620" height="365" src="//www.youtube.com/embed/IhClnCPoLeU" frameborder="0" allowfullscreen></iframe></p> <p><strong>What would you like campers to take away from this experience?</strong></p> <p><strong>Kotzen</strong>: The feeling of growth and knowing that you’ve learned something. This camp is an opportunity to share ideas and music and to grow as a musician and as a person. We may be the ones being asked the questions, but sometimes during the reveal I’ll gain a new found perspective on myself. I’m really looking forward to that.</p> <p><strong>Portnoy</strong>: I think it’s important for campers to remember that making music is not just about playing a drum solo in your bedroom or concentrating solely on technique. It’s about communicating with other musicians. For me, the interest is getting into it with other musicians and talking about it in a band scenario.</p> <p><strong>What can you tell me about the new <em>Special Edition Winery Dogs</em> compilation?</strong></p> <p><strong>Portnoy</strong>: <em>The Winery Dogs Special Edition</em> is a two-disc CD set that has a re-issue of the album on the first disc. The second disc contains 10 live tracks from Japan, including several covers and unreleased songs. It also has an expanded booklet with live shots. </p> <p>We also have the <em>Dog Treats</em> box set, which, in addition to the <em>Special Edition</em> set, includes a bonus disc of all of the demos we did in 2012 (before the album), a DVD with the music videos and interviews, a big booklet with my studio diary from the making of the record and little “treats” like a dog patch and dog tag.</p> <p><strong>Mike, why did you decide to include a studio diary?</strong></p> <p><strong>Portnoy</strong>: I’ve always been a stickler for detail and documenting things and organizing facts. When I was doing the studio diary, I wanted to get very specific about how a song came together. It’s interesting to read it and see the history behind every song. Like which ones came from Richie or which ones we came with on the spot or which songs morphed from other songs and demos. It’s a cool insight into not only the making of the record, but also the very beginning of the relationship of the guys in the band.</p> <p><strong>Can you give us an update on your tour plans and new Winery Dogs music?</strong></p> <p><strong>Portnoy</strong>: We’ll be out on the road April to August and plan on getting the follow-up album out in 2015. We’ve already written one new song that’s going to be in the live set.</p> <p><strong>You’ve all been involved in other bands and projects over the years. What do you enjoy most about being in the Winery Dogs?</strong></p> <p><strong>Kotzen</strong>: I really enjoy the notion of being in a band where everyone is able to share the load. It’s kind of like being on a really strong basketball team in the sense that you have three guys who are all capable of putting up points instead of just relying on one guy. That’s my favorite aspect of all.</p> <p><strong>Portnoy</strong>: For me, it’s about working with Billy and Richie. They’re musicians I have the utmost respect for and am a huge fan of. Stylistically, I enjoy being able to play something that is straight-up classic rock. I love prog and am the ambassador to prog music for this generation, but my musical taste is very broad. Every once in a while, it’s nice to get into Zeppelin, Who and Beatles mode, and I get to do that with the Winery Dogs.</p> <p><Strong>For more information on Dog Camp, visit <a href="http://winerydogcamp.com/">winerydogcamp.com</a>. For more about the Winery Dogs, visit <A href="http://www.thewinerydogs.com/">thewinerydogs.com</a>.</strong></p> <p><em>James Wood is a writer, musician and self-proclaimed metalhead who maintains his own website, <a href="http://gojimmygo.net/">GoJimmyGo.net</a>. His articles and interviews are written on a variety of topics with passion and humor. You can follow him on <a href="https://twitter.com/JimEWood">Twitter @JimEWood.</a></em></p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/richie-kotzen">Richie Kotzen</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/dog-camp-richie-kotzen-and-mike-portnoy-discuss-winery-dogs-immersive-new-camp-musicians#comments Mike Portnoy Richie Kotzen The Winery Dogs Videos Interviews News Features Wed, 16 Apr 2014 10:38:15 +0000 James Wood http://www.guitarworld.com/article/21018 May 2014 Guitar World: Zakk Wylde & Joe Satriani, How to Build a Pedal Board, John Frusciante, Death Angel, Tabs, Lessons and More http://www.guitarworld.com/may-2014-guitar-world-zakk-wylde-joe-satriani-how-build-pedal-board-john-frusciante-death-angel-tabs-lessons-and-more <!--paging_filter--><p><strong>The all-new May 2014 issue of Guitar World is <a href="http://guitarworld.myshopify.com/products/guitar-world-may-14-zakk-wylde-joe-satriani/?&amp;utm_source=gw_homepage&amp;utm_medium=daily_scroller&amp;utm_campaign=GWMAY14">available now!</a></strong></p> <p>In the new May issue, <strong>Zakk "The Beast" Wylde</strong> and <strong>Joe "The Professor" Satriani</strong> meet up to riff on their craziest concert moments, Jimmy Page, and the state of rock guitar in 2014. Also, in an excerpt from his new autobiography, <em>Strange Beautiful Music: A Musical Memoir</em>, Satriani recalls the making of tracks from his breakthrough album, <em>Surfing with the Alien</em>.</p> <p>In addition, learn how <strong>Death Angel</strong> was poised to be metal's next big thing, until a horrific accident brought their ascent to a halt. Guitarist Rob Cavestany looks back at the group's rise and fall, and the rebirth that has brought them hard-won success.</p> <p>Later on, <strong>John Frusciante</strong>, the former Red Hot Chili Pepper, keeps the home fires burning with his latest solo effort, <em>Enclosure</em>, and tells why his performing days are behind him.</p> <p>Finally, want to master speed, precision and control in your guitar playing? An in-depth guide to hybrid picking will have you playing like a pro in no time.</p> <p>PLUS: <strong>Mastodon, Memphis May Fire, George Lynch, Skaters, Donovan</strong> and much more!</p> <p><strong>Five Songs with Tabs for Guitar and Bass</strong></p> <p> • Joe Satriani - "Summer Song"<br /> • Darius Rucker - "Wagon Wheel"<br /> • Red Hot Chili Peppers - "Dani California"<br /> • Black Label Society - "Stillborn"<br /> • Of Mice &amp; Men - "You're Not Alone"</p> <p><strong><a href="http://guitarworld.myshopify.com/products/guitar-world-may-14-zakk-wylde-joe-satriani/?&amp;utm_source=gw_homepage&amp;utm_medium=daily_scroller&amp;utm_campaign=GWMAY14">The May 2014 issue of Guitar World is available now at the Guitar World Online Store!</a></strong></p> http://www.guitarworld.com/may-2014-guitar-world-zakk-wylde-joe-satriani-how-build-pedal-board-john-frusciante-death-angel-tabs-lessons-and-more#comments May 2014 News Features Wed, 16 Apr 2014 10:37:13 +0000 Guitar World Staff http://www.guitarworld.com/article/20938 Guitarist Rob Cavestany Looks Back at the Rise, Fall and Rebirth of Death Angel http://www.guitarworld.com/guitarist-rob-cavestany-looks-back-rise-fall-and-rebirth-death-angel <!--paging_filter--><p><em>This is an excerpt from the May 2014 issue of </em>Guitar World<em>. For the rest of this story, plus features on Zakk Wylde &amp; Joe Satriani, John Frusciante, how to build a pedal board, a complete finger picking lesson, columns, tabs and reviews of new gear from Line 6, Ibanez, Strymon, G&amp;L, Ernie Ball and Orange, <a href="http://store.guitarworld.com/collections/guitar-world/products/guitar-world-may-14-zakk-wylde-joe-satriani/?&amp;utm_source=gw_homepage&amp;utm_medium=article&amp;utm_campaign=ZakkJoeExcerpt">check out the May 2014 issue at the Guitar World Online Store.</a></em></p> <p><strong>Blood Sacrifice: <em>In 1990, Death Angel were poised to be as big as Metallica until a horrific accident brought their ascent to a halt. Guitar Rob Cavestany looks back at the group’s rise and fall, and the rebirth that has brought them hard-won success.</em></strong></p> <p>Sitting in his home studio in Oakland, California, on a bright, breezy afternoon this past January, Cavestany appears to have come through Death Angel’s tribulations having regained a bit of his youthful optimism. </p> <p>The 45-year-old guitarist looks fit and nonchalantly rocks a timeless thrasher look that includes a full head of long black hair, a sleeveless shirt and tattooed arms. He’s also beaming with smiles and, in charming Cali fashion, is <em>hella stoked</em> to explain how a group of teenage cousins won over the Eighties Bay Area thrash scene, imploded, rebuilt and now—30 years later—sound better than ever. </p> <p>We’re soon joined by Cavestany’s six-string wingman, Aguilar, and his affable black lab, London. Over a plate of fresh fruit and cheese (the latter a particular favorite of London’s), Cavestany begins the Death Angel story at a familiar place for many budding rockers who came of age in the Seventies.</p> <p>“Kiss were the main reason why we got into music,” he says between sips of beer. “We had posters all over and we worshipped them. The original lineup of Death Angel were all cousins, so we would give lip-sync performances at family functions.”</p> <p>The jump from lip-syncing to really playing came after Cavestany and Dennis Pepa’s mothers took the boys to Kiss’ 1979 performance at the Cow Palace, outside of San Francisco. Witnessing the larger-than-life set lit a fire under the 11-year-old Cavestany, who made the decision then and there to play an instrument. He started off on drums, but it wasn’t until he picked up his father’s old acoustic guitar that he found his calling. He soon graduated to electric guitar and began exploring even heavier music.</p> <p>“When I started to play guitar, at the very first it was Sabbath, Zeppelin and AC/DC,” Cavestany says. “Then came Priest, Maiden and Scorpions, then Accept, Tygers of Pan Tang, along with Eddie Van Halen, and Randy Rhoads of course, who would have to be my all-time hero.” </p> <p>By 1983, when Cavestany was all of 15, Death Angel—at that time a four-piece featuring Galeon, Gus and Dennis Pepa, and Cavestany on both vocals and guitar—cut their first four-song demo, Heavy Metal Insanity, which reflected their classic metal and NWOBHM inspirations. Cavestany credits his discovery of Metallica as being the turning point when Death Angel’s style evolved into the manic thrashing sound they would become known for. </p> <p><iframe width="620" height="365" src="//www.youtube.com/embed/GS2x1nqJgkY" frameborder="0" allowfullscreen></iframe></p> <p>“Seeing Metallica play was the next thing after we saw Kiss, when we’re all like, Oh shit! We’ve got to change our style. We’ve got to get heavier and faster,” Cavestany says.</p> <p>Metallica would play a pivotal role in the Death Angel story in more ways than one. After attending a Metallica in-store signing, the guys unexpectedly hit it off with Kirk Hammett. Over the next few years, as Death Angel continued to gig and refine their sound, they would pass their boom-box demos to the guitarist whenever they would run into him at local metal shows. Their persistence paid off when Hammett agreed to produce their second batch of songs, which would become their 1986 <em>Kill as One</em> demo.</p> <p>“Kirk was really nice and always really supportive of us,” Cavestany recalls. “Eventually he heard enough potential to get himself involved, which was very major for us.”</p> <p>Kill as One benefited from Hammett’s production insights as well as the addition of singer Mark Osegueda (another of Cavestany’s cousin), whose style gave the music a fresh thrash flavor and edge that was missing from the old-school sounds on Heavy Metal Insanity. Kill as One became popular among the tape-trading scene, and Death Angel scored key gigs opening for bands like Slayer. Soon, indie label Enigma approached the group with a contract for a full-length record.</p> <p>“I’m sure the novelty is what first got people’s attention,” Cavestany says with a laugh. “Like, These guys are way young, they’re all cousins, and they look like small Chinese girls going crazy onstage!”</p> <p>Riding a wave of youthful exuberance and unwavering confidence, Death Angel blazed through the recording of the songs that would become their debut album, 1987’s <em>The Ultra-Violence</em>. Tracked in three days and mixed in two, their fierce debut confirmed that these kids weren’t a novelty—this was serious thrash on par with many of the older more experienced bands of the scene. It had the speed of early Metallica, the unhinged quality of Slayer and the brazen attack of Anthrax. </p> <p>“We didn’t really second-guess too many things that we were doing,” Cavestany says. “We just went at it relentlessly. We thought it was amazing. Now if I try to play along to that CD, I almost can’t do it because we are so out of control. [laughs] It’s so off, and everyone’s crazy. But it’s got that rawness.”</p> <p>While Death Angel may have managed to get a full-length pressed and catch some people’s attention, they certainly weren’t living on easy street. The guys were still toiling at their day jobs and relying on their families’ support.</p> <p>“I was working at Tower Records when <em>The Ultra-Violence</em> came out,” Cavestany recalls. “And my dad was my main roadie for the first couple of years, buying me equipment and driving me around. Our families couldn’t understand the kind of music we were trying to play, but they were proud of us. My grandmother would come to our shows, and my mom would be there wearing her Death Angel shirt.”</p> <p><em><strong>For the rest of this story, plus features on Zakk Wylde &amp; Joe Satriani, John Frusciante, how to build a pedal board, a complete finger picking lesson, columns, tabs and reviews of new gear from Line 6, Ibanez, Strymon, G&amp;L, Ernie Ball and Orange, <a href="http://store.guitarworld.com/collections/guitar-world/products/guitar-world-may-14-zakk-wylde-joe-satriani/?&amp;utm_source=gw_homepage&amp;utm_medium=article&amp;utm_campaign=ZakkJoeExcerpt">check out the May 2014 issue at the Guitar World Online Store.</a></strong></em></p> <p><em>Photos: Jimmy Hubbard</em></p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/death-angel">Death Angel</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/guitarist-rob-cavestany-looks-back-rise-fall-and-rebirth-death-angel#comments Death Angel May 2014 Interviews News Features Magazine Tue, 15 Apr 2014 20:53:58 +0000 Brad Angle http://www.guitarworld.com/article/20948 Demo Video: Eventide H9 Core Harmonizer Stompbox http://www.guitarworld.com/demo-video-eventide-h9-core-harmonizer-stompbox <!--paging_filter--><p>In this new video, Alan Chaput from Eventide demos the company's new Eventide H9 Core.</p> <p>The H9 Core delivers the sounds of Eventide’s H910 and H949 harmonizers, the prized studio processors used on stage by Frank Zappa, Jimmy Page and Eddie Van Halen. All of Eventide’s stompbox effects, including new H9 exclusives, UltraTap Delay and Resonator, can be added to H9 Core.</p> <p>H9 Core features a simple, one-knob user interface and is fully featured as a standalone stompbox.</p> <p>Using H9 Core with the H9 Control app for Windows, OSX (via USB) or iOS (wirelessly via Bluetooth) makes creating and managing presets, live control and in-app algorithm purchases easy. H9 owners can sync up to five H9s to a single Eventide.com account so their H9 algorithms can be used by five H9s simultaneously.</p> <p>For more about the Eventide H9 Core, visit <a href="http://www.eventide.com/AudioDivision/Products/StompBoxes/H9.aspx">eventide.com</a>.</p> <p><iframe width="620" height="365" src="//www.youtube.com/embed/gp6fEnxm0cU" frameborder="0" allowfullscreen></iframe></p> http://www.guitarworld.com/demo-video-eventide-h9-core-harmonizer-stompbox#comments Eventide Videos Effects News Gear Tue, 15 Apr 2014 20:24:53 +0000 Guitar World Staff http://www.guitarworld.com/article/21021 Review: Seymour Duncan Whole Lotta Humbucker Pickups http://www.guitarworld.com/review-seymour-duncan-whole-lotta-humbucker-pickups <!--paging_filter--><p>London in the early Seventies was the center of the guitar universe, the place where some of the greatest players of the classic rock era were living, performing and recording. </p> <p>Seymour Duncan was there too, sought by the famous and soon-to-be-famous for his skills as a guitar tech and his ability to uniquely rewind a pickup so that it matched a player’s voice and style. </p> <p>Duncan’s pickups were an ingredient in the signature tones of guitarists like Eric Clapton, Jeff Beck, Pete Townsend, David Gilmour, Jimmy Page and scores of others. </p> <p>One of the era’s most recognizable and iconic sounds came via one of Page’s Gibson Les Pauls that Duncan loaded with a pair of his specially rewound humbuckers, known for their incredibly powerful, clear top end, unbridled midrange and multidimensional crunch tone. Seymour Duncan’s new Whole Lotta Humbucker set of bridge and neck pickups precisely recreates that magical tone and provides access to the legendary sounds that forever changed the world of rock guitar and inspired millions to begin their musical journey. </p> <p><strong>Features</strong><br /> Seymour Duncan builds these pickups with the balanced magnetic field offered by rough-cast Alnico 5 magnets and 42-gauge plain-enamel wire, wound in his special pattern. As is typical, the bridge model is hotter than the neck version, but both have the characteristically raw, overdriven effect on the amp. Four-conductor leads allow players to tap coils or set up phase-inverted tone colorations, and Duncan is offering them with black bobbins or nickel covers. </p> <p><strong>Performance</strong><br /> Tone may be subjective, and it is certainly dependent on the player and other equipment, but playing the Whole Lotta Humbucker set through a Marshall half stack is history incarnate. It’s scary to hear this tone recreated so accurately, and it’s enlightening to experience how much of the player’s intention can be captured by a truly great set of pickups. What’s just as interesting is how nuanced and energetic these medium output pickups of yesteryear sound when combined with modern high gain horsepower. </p> <p><strong>List Price</strong> black, $269 (set); nickel, $319.99 (set)</p> <p><strong>Manufacturer</strong> Seymour Duncan, <a href="http://www.seymourduncan.com/">seymourduncan.com</a></p> <p><strong>The Bottom Line</strong><br /> Whether you’ve spent a lifetime lusting after this tone or are just now realizing that vintage recreations are the key to discovering your personal sound, Seymour Duncan’s Whole Lotta Humbucker is a timeless work of copper-wound art. </p> <!-- Start of Brightcove Player --><!-- Start of Brightcove Player --><div style="display:none"> </div> <!-- By use of this code snippet, I agree to the Brightcove Publisher T and C found at https://accounts.brightcove.com/en/terms-and-conditions/. --><!-- By use of this code snippet, I agree to the Brightcove Publisher T and C found at https://accounts.brightcove.com/en/terms-and-conditions/. --><script language="JavaScript" type="text/javascript" src="http://admin.brightcove.com/js/BrightcoveExperiences.js"></script><object id="myExperience2888632846001" class="BrightcoveExperience"> <param name="bgcolor" value="#FFFFFF" /> <param name="width" value="620" /> <param name="height" value="348" /> <param name="playerID" value="798983031001" /> <param name="playerKey" value="AQ~~,AAAAj36EdAk~,0qwz1H1Ey92wZ6vLZcchClKTXdFbuP3P" /> <param name="isVid" value="true" /> <param name="isUI" value="true" /> <param name="dynamicStreaming" value="true" /> <param name="@videoPlayer" value="2888632846001" /> </object><!-- This script tag will cause the Brightcove Players defined above it to be created as soon as the line is read by the browser. 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If you wish to have the player instantiated only after the rest of the HTML is processed and the page load is complete, remove the line. --><script type="text/javascript">brightcove.createExperiences();</script><!-- End of Brightcove Player --><!-- End of Brightcove Player --> http://www.guitarworld.com/review-seymour-duncan-whole-lotta-humbucker-pickups#comments January 2014 Seymour Duncan Accessories News Gear Magazine Tue, 15 Apr 2014 19:47:56 +0000 Eric Kirkland, Video by Paul Riario http://www.guitarworld.com/article/19911 Review: Dunlop Fuzz Face Mini Pedals http://www.guitarworld.com/review-dunlop-fuzz-face-mini-pedals <!--paging_filter--><p>Of all the early fuzz-pedal circuits, the Fuzz Face is by far the sweetest sounding, with smooth and even sustain, harmonic overtones that complement the base note and chords (instead of fighting them), and compressed attack that provides violin-like tones. </p> <p>This has made the Fuzz Face the choice of discriminating tone connoisseurs throughout the ages, including Jimi Hendrix, Eric Johnson, Joe Bonamassa and many other guitarists of note. </p> <p>Now Dunlop has updated the legendary Fuzz Face with its Fuzz Face Mini pedals, which provide the same timeless circuits in a much smaller round housing along with features modern players demand. </p> <p>Dunlop has even lowered the price to match the reduced, pedal board–friendly size.</p> <p><strong>Features</strong></p> <p>Dunlop offers three different flavors of the Fuzz Face Mini: Germanium, Silicon and Jimi Hendrix, which come in red, blue and turquoise cases, respectively. All three feature volume and fuzz controls, true-bypass switching, a laser-bright status LED, AC power jack and easy-access battery door while they retain the classic round shape and skip-pad “nose” of the original, albeit at less than one-third the overall size. In fact, using right-angle plugs, one can fit all three Fuzz Face Minis into a space a little larger than the footprint of an original Fuzz Face. </p> <p>The Germanium Fuzz Face Mini uses slightly mismatched germanium transistors just like the first version of the Fuzz Face featured in the Sixties. The Silicon Fuzz Face Mini offers the same specs as an original 1970 Fuzz Face and features a matched pair of BC108 silicon transistors. The Jimi Hendrix Fuzz Face Mini offers a circuit identical to that of Dunlop’s JHF1 Jimi Hendrix Fuzz Face, based on Hendrix’s own Dallas-Arbiter Fuzz Face from 1969–’70 and featuring BC108 silicon transistors.</p> <p><strong>Performance</strong> </p> <p>The magic of a Fuzz Face is how well it integrates into the signal chain, becoming an active, dynamic part of it instead of just a component to switch in or out at will. The square-wave distortion it produces is undeniably over the top, but it’s warm, smooth and one of only a rare few true fuzz effects that sounds good with chords. </p> <p>The distortion cleans up nicely when the guitar’s volume control is backed down just slightly, allowing players to easily dial in the desired fuzz effect, from just a touch of hair to full-on fuzz assault at will. The Silicon and Jimi Hendrix versions deliver the most gain, with the Hendrix being the less aggressive of the two, while the Germanium version sounds sweeter and darker. </p> <p><strong>List Price</strong> $170.61 (each)</p> <p><strong>Manufacturer</strong> Dunlop Manufacturing, <a href="http://www.jimdunlop.com/">jimdunlop.com</a></p> <p><strong>Cheat Sheet</strong></p> <p>The pedals have circuits identical to full-size Fuzz Face pedals, true-bypass switching, status LEDs, AC adapter jacks, and easy-access battery compartments.</p> <p>The Silicon and Jimi Hendrix versions feature BC108 silicon transistors while the Germanium version has a mismatched pair of germanium transistors</p> <p><strong>The Bottom Line</strong></p> <p>Reducing both the size and price of the legendary Fuzz Face, the three Fuzz Face Mini pedals provide three distinct classic fuzz flavors that deserve spots on your pedal board.</p> <!-- Start of Brightcove Player --><!-- Start of Brightcove Player --><div style="display:none"> </div> <!-- By use of this code snippet, I agree to the Brightcove Publisher T and C found at https://accounts.brightcove.com/en/terms-and-conditions/. --><!-- By use of this code snippet, I agree to the Brightcove Publisher T and C found at https://accounts.brightcove.com/en/terms-and-conditions/. --><script language="JavaScript" type="text/javascript" src="http://admin.brightcove.com/js/BrightcoveExperiences.js"></script><object id="myExperience2888630536001" class="BrightcoveExperience"> <param name="bgcolor" value="#FFFFFF" /> <param name="width" value="620" /> <param name="height" value="348" /> <param name="playerID" value="798983031001" /> <param name="playerKey" value="AQ~~,AAAAj36EdAk~,0qwz1H1Ey92wZ6vLZcchClKTXdFbuP3P" /> <param name="isVid" value="true" /> <param name="isUI" value="true" /> <param name="dynamicStreaming" value="true" /> <param name="@videoPlayer" value="2888630536001" /> </object><!-- This script tag will cause the Brightcove Players defined above it to be created as soon as the line is read by the browser. 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If you wish to have the player instantiated only after the rest of the HTML is processed and the page load is complete, remove the line. --><script type="text/javascript">brightcove.createExperiences();</script><!-- End of Brightcove Player --><!-- End of Brightcove Player --> http://www.guitarworld.com/review-dunlop-fuzz-face-mini-pedals#comments Dunlop January 2014 Jim Dunlop Effects News Gear Magazine Tue, 15 Apr 2014 19:10:43 +0000 Chris Gill, Video by Paul Riario http://www.guitarworld.com/article/19910 Wild Stringdom with John Petrucci: Moving Across the Fretboard in Unusual Ways to Produce Unique Runs http://www.guitarworld.com/wild-stringdom-john-petrucci-moving-across-fretboard-unusual-ways-produce-unique-runs <!--paging_filter--><p>Over the years, people have noticed that when I play certain runs, my fingers move in the opposite direction of the notes that they hear.</p> <p>For example, as my fret hand moves up the fretboard, the sequence of notes that is heard descends (and vice versa). For this month’s column, I’ve put together a few runs that demonstrate this unusual approach as applied to both ascending and descending patterns.</p> <p>This kind of “positional wizardry” can be used to generate interesting melodic patterns that can be used in a variety of ways. </p> <p> In <strong>FIGURE 1</strong>, I begin on the low E string in a high fretboard position and end on a high string in a lower position. The run is based on the A Aeolian mode (A B C D E F G), which is also known as the A natural minor scale and is intervallically spelled 1 2 b3 4 5 b6 b7. </p> <p> The overall concept behind this line is a consistent progression of six-note groups, or “cells,” that move to different areas of the fretboard while remaining diatonic to (within the scale structure of) A Aeolian. The run is played in a rhythm of even 16th notes, which, due to its inherent four-note grouping, results in a more unusual melodic “shape” than if I had played the pattern in a triplet or sextuplet rhythm. </p> <p> I begin by ascending through the first six notes—E F G A B C—then “backpedal” slightly and descend to the previous two notes, B and A, in alternating fashion. The next six-note phrase begins on G, two scale degrees higher than the previous starting note, and consists of the notes G A B C D E, played in ascending form. </p> <p>Once again, I alternate between the last two notes in the same way, which sets up the beginning of the next six-note phrase, starting on B on the fourth string’s ninth fret, which is two scale degrees higher than the previous starting point. This “up-six, back-two” pattern then repeats three more times, culminating on a high A root note. Be sure to use consistent alternate (down-up-down-up) picking throughout this figure, and, as always, strive for crystal-clear articulation.</p> <p> In <strong>FIGURE 2</strong>, I begin on the high E string and work my way up the fretboard while descending gradually on each lower string, pitch-wise. Like <strong>FIGURE 1</strong>, this run is also based on A Aeolian/natural minor and six-note “cells” played in a 16th-note rhythm. </p> <p> After descending through the first six notes—F E D C B A—I quickly shift up the fretboard to a note that is three scale degrees higher in the scale, D, and then repeat the descending six-note pattern. This second sequence ends on F (third string, 10th fret), so I begin the next six-note sequence three scale degrees higher, on B (third string, 16th fret). </p> <p>This process repeats three more times, culminating in a low A root note (sixth string, 17th fret). Again, alternate picking is utilized throughout, so strive for even and precise execution.</p> <p> <strong>FIGURE 3</strong> provides a clearer picture of the shapes used in <strong>FIGURE 2</strong> by illustrating them as eighth-note triplets. Here, one can more easily see how the six-note pattern descends through the notes of A natural minor across two beats at a time. When playing the run in a straight 16th-note rhythm (rather than in an eighth- or 16th-note-triplet rhythm), be cognizant of the difference in feel and where the downbeats fall.</p> <!-- Start of Brightcove Player --><!-- Start of Brightcove Player --><div style="display:none"> </div> <!-- By use of this code snippet, I agree to the Brightcove Publisher T and C found at https://accounts.brightcove.com/en/terms-and-conditions/. --><!-- By use of this code snippet, I agree to the Brightcove Publisher T and C found at https://accounts.brightcove.com/en/terms-and-conditions/. --><script language="JavaScript" type="text/javascript" src="http://admin.brightcove.com/js/BrightcoveExperiences.js"></script><object id="myExperience2979782854001" class="BrightcoveExperience"> <param name="bgcolor" value="#FFFFFF" /> <param name="width" value="620" /> <param name="height" value="348" /> <param name="playerID" value="798983031001" /> <param name="playerKey" value="AQ~~,AAAAj36EdAk~,0qwz1H1Ey92wZ6vLZcchClKTXdFbuP3P" /> <param name="isVid" value="true" /> <param name="isUI" value="true" /> <param name="dynamicStreaming" value="true" /> <param name="@videoPlayer" value="2979782854001" /> </object><!-- This script tag will cause the Brightcove Players defined above it to be created as soon as the line is read by the browser. 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If you wish to have the player instantiated only after the rest of the HTML is processed and the page load is complete, remove the line. --><script type="text/javascript">brightcove.createExperiences();</script><!-- End of Brightcove Player --><!-- End of Brightcove Player --><p><br /><br /> <img src="/files/imce-images/Screen%20Shot%202014-04-15%20at%202.25.01%20PM.png" width="620" height="644" alt="Screen Shot 2014-04-15 at 2.25.01 PM.png" /></p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/dream-theater">Dream Theater</a> </div> <div class="field-item even"> <a href="/john-petrucci">John Petrucci</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/wild-stringdom-john-petrucci-moving-across-fretboard-unusual-ways-produce-unique-runs#comments Dream Theater February 2014 John Petrucci Wild Stringdom Artist Lessons Videos News Lessons Magazine Tue, 15 Apr 2014 18:32:35 +0000 John Petrucci http://www.guitarworld.com/article/20105 Report: AC/DC to Call It Quits Due to Malcolm Young's Illness? http://www.guitarworld.com/report-acdc-call-it-quits-due-malcolm-youngs-illness <!--paging_filter--><p>According to several media reports posted earlier today (mostly out of Australia), AC/DC might be calling it quits very soon — due to the serious illness of guitarist Malcolm Young.</p> <p>Perth, Australia, radio station 6PR reported that Young, 61, and his family are moving back to Australia due to Young's illness; entertainment commentator Peter Ford tweeted that there is a “sad detail” behind the band’s decision to not perform again.</p> <p>Different sources imply that the "sad detail" is the stroke Young supposedly suffered several weeks ago.</p> <p>Note that nothing has been confirmed, but we will provide updates on this story as we get them.</p> <p>As you might remember, AC/DC were actively planning 40th anniversary reunion gigs earlier this year. According to an industry source, the band will still enter a Vancouver recording studio in May 1.</p> <p>“I think we’ll be going into the studio in May in Vancouver. Which means, we should be getting ready,” frontman Brian Johnson said in February.</p> <p>“It’s been 40 years of the band’s existence. So I think we’re gonna try to do 40 gigs, 40 shows, to thank the fans for their undying loyalty. I mean, honestly, our fans are just the best in the world, and we appreciate every one of them. So, like I said, we’ll have to go out, even though we’re getting a bit long in the tooth. You know what?! It’s been four years [since we last went out on the road], and I’m really looking forward to it.”</p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/acdc">AC/DC</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/report-acdc-call-it-quits-due-malcolm-youngs-illness#comments AC/DC News Tue, 15 Apr 2014 16:07:51 +0000 Guitar World Staff http://www.guitarworld.com/article/21017 Video: Guitarist Ben Higgins Imitates "30 Misplaced Shredders" http://www.guitarworld.com/video-guitarist-ben-higgins-imitates-30-misplaced-shredders <!--paging_filter--><p>In the recently posted video below, British guitarist Ben Higgins — <a href="http://www.guitarworld.com/video-vai-dimebag-yngwie-guitarist-imitates-30-shredders-one-solo">who we've featured on GuitarWorld.com in the past</a> — imitates 30 well-known shredders, but puts them in strange settings.</p> <p>In the video, which is called "30 Misplaced Shredders," Higgins imitates the likes of Yngwie Malmsteen (over a Morbid Angel-style backing track), Steve Vai (over a Pantera-style backing track), Marty Friedman over Metallica, Zakk Wylde over Anthrax — etc.!</p> <p>After he goes through his 30 imitations, he shows you how to play everything — complete with tabs. In fact, you can find the tabs, backing track and complete lesson <a href="http://www.guitarmasterclass.net/ls/30-Misplaced-Shredders/?utm_source=Youtube&amp;utm_medium=GMC%20YT%20Channel&amp;utm_campaign=30%20Misplaced%20Shredders%20Lesson%20YT">right here.</a></p> <p>For more about Higgins, head <a href="https://www.youtube.com/user/BenHigginsOfficial">HERE</a> and <a href="http://www.guitarmasterclass.net/instructor/Ben-Higgins/?utm_source=Youtube&amp;utm_medium=GMC%20YT%20Channel&amp;utm_content=30%20Misplaced%20Shredders%20Video&amp;utm_campaign=Ben%20Instructor%20Profile%20YT">HERE.</a></p> <p><iframe width="620" height="365" src="//www.youtube.com/embed/oLyPMSMEnyQ" frameborder="0" allowfullscreen></iframe></p> <p><strong>Guitarists covered in this solo:</strong></p> <p>1. Michael Romeo (Motorhead) 05:11<br /> 2. Synyster Gates (Mercyful Fate) 06:41<br /> 3. Jeff Hanneman (Bathory) 09:03<br /> 4. Yngwie Malmsteen (Morbid Angel) 10:40<br /> 5. George Lynch (Iced Earth) 12:50<br /> 6. Steve Vai (Pantera) 14:40<br /> 7. Matthias Jabs (Ozzy Osbourne) 16:19<br /> 8. Marty Friedman (Metallica) 18:13<br /> 9. Glenn Tipton (Iron Maiden) 20:36<br /> 10. Adrian Smith (Queensryche) 22:24<br /> 11. Alexi Laiho (Skid Row) 24:24<br /> 12. Kirk Hammett (Motley Crue) 26:36<br /> 13. Michael Schenker (Opeth) 27:59<br /> 14. Joe Satriani (Nile) 29:29<br /> 15. Tony MacAlpine (Cradle of Filth) 32:00<br /> 16. Dave Murray (Judas Priest) 34:09<br /> 17. Zakk Wylde (Anthrax) 35:34<br /> 18. Dan Spitz (Slayer) 37:45<br /> 19. Kerry King (Megadeth) 39:36<br /> 20. Trey Azagthoth (Evile) 41:05<br /> 21. Rusty Cooley (Blind Guardian) 43:32<br /> 22. Jeff Loomis (Annihilator) 45:44<br /> 23. Jeff Waters (Testament) 47:32<br /> 24. Buckethead (Mayhem) 49:37<br /> 25. Vinnie Moore (Rammstein) 51:52<br /> 26. Dimebag (Scorpions) 53:22<br /> 27. Jason Becker (Symphony X) 55:02<br /> 28. Andy LaRocque (Manowar) 56:35<br /> 29. Alex Skolnick (Saxon) 58:29<br /> 30. Randy Rhoads (Arch Enemy) 1:00:38<br /> 31. Bonus shredda ;) - 1:04:32</p> http://www.guitarworld.com/video-guitarist-ben-higgins-imitates-30-misplaced-shredders#comments Ben Higgins Videos News Tue, 15 Apr 2014 15:04:09 +0000 Damian Fanelli http://www.guitarworld.com/article/21016