News http://www.guitarworld.com/taxonomy/term/4/all en ToneConcepts Launches Steve Lukather's Signature Preamp Boost Pedal, The Luke http://www.guitarworld.com/toneconcepts-launches-steve-lukathers-signature-preamp-boost-pedal-luke <!--paging_filter--><p>ToneConcepts has announced the launch of Steve Lukather’s signature pedal, The Luke, which was developed in collaboration with Lukather. </p> <p>The Luke is the first pedal in ToneConcepts' upcoming ICON series of signature pedals.</p> <p>Lukather was an early tester of ToneConcepts’ award-winning pedal, The Distillery, which quickly became an essential component of his sound and earned a permanent place on his pedalboard. </p> <p>“The sound wizards at ToneConcepts blew me away with The Distillery, so I went straight to them to develop an enhanced version for my first-ever custom pedal,” Lukather says.</p> <p>The Luke is an innovative and musical tone-shaping preamp boost with unparalleled power, transparency and tonal flexibility that takes any guitar and amp combination to the next level of musical bliss.</p> <p>”The Luke is my secret weapon that helps me sound great onstage and in the studio. And it will do the same for you,” Lukather says.</p> <p>Extensively tested by Lukather, The Luke features hand-selected components for an open and refined sound. The new pedal also features an improved control layout with custom pot tapers resulting in improved control, fine tuning and usability whether you’re playing in a garage or a stadium. The Luke is housed in an octagonal pedalboard-friendly roadworthy case that features a unique cartoon by 'Astro'. From subtle enhancements to drastic tonal changes, The Luke unleashes your guitar's range of possibilities.</p> <p>The Luke will be available to dealers worldwide in March 2015.</p> <p>In addition to the standard edition of the The Luke, a limited production “Luke Launch Edition” of just 100 units is available for pre-order directly from <a href="http://www.toneconcepts.com/">toneconcepts.com.</a></p> <p>In other Lukather news, Toto's new studio album, <em>Toto XIV,</em> will be released the last week of March.</p> <p>For more on Lukather, visit <a href="http://www.stevelukather.com/">stevelukather.com</a>. For more on ToneConcepts, visit <a href="http://www.toneconcepts.com/">toneconcepts.com.</a></p> http://www.guitarworld.com/toneconcepts-launches-steve-lukathers-signature-preamp-boost-pedal-luke#comments Steve Lukather ToneConcepts Effects News Gear Fri, 30 Jan 2015 18:10:33 +0000 Guitar World Staff http://www.guitarworld.com/article/23402 Review: Orange Crush 35RT Guitar Amp — Video http://www.guitarworld.com/review-orange-crush-35rt-guitar-amp-video <!--paging_filter--><p><em>These videos and audio files are bonus content related to the March 2015 issue of </em>Guitar World<em>. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the <a href="http://guitarworld.myshopify.com/collections/guitar-world/products/guitar-world-march-15-black-sabbath?&amp;utm_source=gw_homepage&amp;utm_medium=article&amp;utm_campaign=March2015VideosPage">Guitar World Online Store</a>.</em></p> <p><strong><em>GOLD AWARD WINNER</em></strong></p> <p>Orange is best known for its loud, high-output classic amp heads and extremely popular Terror Series mini tube amps, but over recent years the company has significantly expanded its offerings. </p> <p>A great example is the Crush PiX Series combos, which quickly became some of the best-selling practice amps after their introduction. </p> <p>The new Orange Crush 35RT combo is an extremely affordable-but-versatile Crush Series amp that does away with digital multieffects in favor of a simpler control layout with classic performance features, like two-channel operation.</p> <p><strong><a href="http://guitarworld.myshopify.com/collections/guitar-world/products/guitar-world-march-15-black-sabbath?&amp;utm_source=gw_homepage&amp;utm_medium=article&amp;utm_campaign=March2015VideosPage">For the rest of this review, including FEATURES, PERFORMANCE, the BOTTOM LINE and more, check out the March 2015 issue of Guitar World.</a></strong></p> <!-- Start of Brightcove Player --><!-- Start of Brightcove Player --><div style="display:none"> </div> <!-- By use of this code snippet, I agree to the Brightcove Publisher T and C found at https://accounts.brightcove.com/en/terms-and-conditions/. --><!-- By use of this code snippet, I agree to the Brightcove Publisher T and C found at https://accounts.brightcove.com/en/terms-and-conditions/. --><script language="JavaScript" type="text/javascript" src="http://admin.brightcove.com/js/BrightcoveExperiences.js"></script><object id="myExperience4021302724001" class="BrightcoveExperience"> <param name="bgcolor" value="#FFFFFF" /> <param name="width" value="620" /> <param name="height" value="348" /> <param name="playerID" value="798983031001" /> <param name="playerKey" value="AQ~~,AAAAj36EdAk~,0qwz1H1Ey92wZ6vLZcchClKTXdFbuP3P" /> <param name="isVid" value="true" /> <param name="isUI" value="true" /> <param name="dynamicStreaming" value="true" /> <param name="@videoPlayer" value="4021302724001" /> </object><!-- This script tag will cause the Brightcove Players defined above it to be created as soon as the line is read by the browser. 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It blends — via alternation and superimposition — two incomplete songs, one by Paul McCartney, one by Lennon. </p> <p>Both happened to have been written around the same period and based on the same two-chord motif built around a first-position A chord (with the high A note fingered with the pinky). It is the last true collaboration by Lennon and McCartney.</p> <p>McCartney's share of the song, called "I've Got A Feeling" from the get-go, includes a verse, chorus and bridge and was inspired by his relationship with his soon-to-be-wife, Linda Eastman. Lennon provides alternate verses inspired by his personal upheavals of 1968. </p> <p>"I've Got A Feeling" is one of three "live" songs to be included on <em>Let It Be</em>, having been performed as part of the January 30, 1969, rooftop concert. It features McCartney on vocals and his 1963 Hofner 500/1 (adorned with the rectangular "Bassman" sticker from his Fender Bassman amp), Lennon on vocals and his Epiphone Casino, George Harrison on backing vocals and his rosewood Fender Telecaster, Ringo Starr on Ludwig Hollywood Maple drums and Billy Preston on Hohner electric piano.</p> <p>The gritty, hard-edged song, which McCartney still performs live today, benefits from McCartney's screaming vocals, creative, octave-infused bass line (especially during Lennon's portion of the song) and Harrison's tasteful bends and double stops during McCartney's raucous bridge. </p> <p>Although the version featured on <em>Let It Be</em> is the result of a single live take, Phil Spector edited together three mixes to come up with the final product.</p> <p>Because actual rooftop footage of the Beatles has become scarce on YouTube (Maybe they're finally working on releasing the <em>Let It Be</em> film on DVD), we've included an audio-only clip of "I've Got A Feeling." However, we did manage to find a live rooftop version of "Don't Let Me Down," which we've included so you can get a feel for the moment.</p> <p><iframe width="620" height="365" src="https://www.youtube.com/embed/y5Lkjt9kCxA?list=PLQD9vJDjuU-Znw5fDLfw0eRhZc4fVEGtz" frameborder="0" allowfullscreen></iframe></p> <p><iframe width="620" height="365" src="https://www.youtube.com/embed/UaAUwRd-xNg" frameborder="0" allowfullscreen></iframe></p> <p><em>Damian Fanelli is the online managing editor at </em>Guitar World<em> <a href="https://twitter.com/DamianFanelli">Follow him on Twitter</a></em>.</p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/beatles">The Beatles</a> </div> <div class="field-item even"> <a href="/paul-mccartney">Paul McCartney</a> </div> <div class="field-item odd"> <a href="/john-lennon">John Lennon</a> </div> <div class="field-item even"> <a href="/george-harrison">George Harrison</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/song-facts-beatles-ive-got-feeling#comments 2011 Beatles Damian Fanelli George Harrison GWLinotte Holiday 2011 John Lennon Paul McCartney Ringo Starr Holiday Blogs News Features Magazine Fri, 30 Jan 2015 15:55:40 +0000 Damian Fanelli http://www.guitarworld.com/article/14130 Black Sabbath's Geezer Butler and Tony Iommi on Fighting with Skinheads, "War Pigs" Inspiration and More http://www.guitarworld.com/black-sabbaths-geezer-butler-and-tony-iommi-fighting-skinheads-and-war-pigs-inspiration <!--paging_filter--><p><em>This is an excerpt from the all-new March 2015 issue of <em>Guitar World</em>, which features an interview with Black Sabbath's Tony Iommi and Geezer Butler. For the rest of this interview, plus our guide to the 30 greatest classic Black Sabbath songs, plus gear views, tabs, lessons and more, <a href="http://guitarworld.myshopify.com/collections/guitar-world/products/guitar-world-march-15-black-sabbath?&amp;utm_source=gw_homepage&amp;utm_medium=article&amp;utm_campaign=SabbathExcerpt">check out the March 2015 issue of GW at the Guitar World Online Store.</a></em></p> <p>It’s rare that a band emerges and, with one inspired release, simultaneously launches and perfects a genre of music. </p> <p>Such is the singular case of Black Sabbath. Their 1970 self-titled debut, which celebrates its 45th anniversary this year, took the heavy blues and hard-rock idioms that came before and infused them with anthemic tritone riffs, doom-laden drum tempos, maniacal vocals and diabolical lyrics. </p> <p>Black Sabbath’s pioneering sound would later be christened heavy metal, and in many people’s minds that album still reigns supreme as the best representation of the genre. Many influential bands in their own right have come along and made contributions to heavy music, but all of them—from Judas Priest and Van Halen to Metallica and Soundgarden—hail the supremacy of Black Sabbath. </p> <p>Below, enjoy an excerpt from <em>Guitar World</em>'s new interview with Black Sabbath's Tony Iommi and Geezer Butler. Interestingly enough, Butler—who was arrested in California this past Tuesday for assault and vandalism—discussed fighting, including a brawl with skinheads that took place several decades ago.</p> <p><strong>GUITAR WORLD: Geezer, you’ve mentioned before that “Fairies Wear Boots,” [from 1970’s <em>Paranoid</em>] was inspired by a confrontation you guys had with skinheads. Being a longhair yourself, did you run into a lot of problems in England back then?</strong></p> <p><strong>GEEZER BUTLER</strong> There used to be fighting all the time. I used to be a football [soccer] fan—well, I still am—and I’d go down to watch the [Aston] Villa [Football Club]. I had long hair at the time. </p> <p>Then this one day, the skinheads, or hooligans, turned on the people with long hair, even though we were fans too. So after that I couldn’t go down there. This other time we did this gig in the seaside town of Weston-super-Mare [in North Somerset, England], and we had a fight with all these skinheads. I think that’s where the lyrics for “Fairies Wear Boots” came from.</p> <p><iframe width="620" height="365" src="https://www.youtube.com/embed/u3g0NhJ7__k" frameborder="0" allowfullscreen></iframe></p> <p><strong>Do you remember what kicked off the fight?</strong></p> <p><strong>BUTLER</strong> We didn’t get paid! [laughs] I was the one that used to go collect the check. We’d had this problem where we’d go collect our money and the guy would go, “Oh no, we sent the check in the post [mail].” We were promised that we’d get the money on the night, so I went to the promoter to get it. And he said, “Oh, I already sent it to your manager.” </p> <p>I went outside to the telephone to make a call to the manager and I got surrounded by all these bloody skinheads, going, “Kill him! Kill him!” So I had to time it right so I could throw the phone at them and leg it back into the gig. [laughs] I told Tony, and of course he said, “Come on, let’s go.” And he grabs a microphone stand and we went out for a battle with them. Fucking nuts.</p> <p><strong>Parental groups and decency nags always bemoan the satanic and occult allusions in Black Sabbath lyrics. But Geezer, you were also writing about current social issues, too, on the track “War Pigs.” Were you following the Vietnam War, Civil Rights movement and political unrest going on at the time in the United States?</strong></p> <p>It was actually being covered more [in the press] in England than in America. They had this program on in England, and it showed all the stuff that wasn’t being told to the American people. Stuff like how the president [Lyndon Johnson]’s wife, Lady Bird Johnson, had this road-building company. The Americans would go in and bomb all these roads [in Vietnam]. Then her company would go in and rebuild them and get the money. They weren’t saying all that in America. We wrote “War Pigs” because many American bands were frightened to mention anything about the war. So we thought we’d tell it like it is.</p> <p><strong>In 1971, you released <em>Master of Reality</em>, which saw the band experimenting a bit more with tracks like “Solitude” and the acoustic instrumental “Orchid.” Tony, had you always played acoustic or did you pick it up around that time?</strong></p> <p><strong>TONY IOMMI</strong> No, I never played acoustic that much at all really. I don’t even remember where we did that track, to be honest. I think the idea on the album was to have a bit of light and shade and relax it from the heavier stuff.</p> <p><strong>Speaking of heavier stuff, what were you coughing on during that intro to “Sweet Leaf”?</strong></p> <p><strong>IOMMI</strong> [laughs] I choked me bloody self! It wasn’t intended to happen, and it wasn’t supposed to be on the track. We were in the studio tracking that song, and Ozzy gave me a joint and I nearly choked myself. The tape was on, so of course they wanted to use it to begin the track.</p> <p><strong>BUTLER</strong> You couldn’t have gotten anything more appropriate for a song called “Sweet Leaf.” [laughs]</p> <p><strong>That’s the truth. But the title “Sweet Leaf” was actually inspired by a different type of smoke, right?</strong></p> <p><strong>BUTLER</strong> Yeah the name “Sweet Leaf” came from the [Irish brand of] cigarettes called Sweet Afton. I’d just come back from Dublin. Everyone smoked back then, so I’d be offering them all cigarettes. You’d open the top of the package and it said something like, “It’s the sweet leaf.” I thought, Hmmm, That’s a good title.</p> <p><iframe width="620" height="365" src="https://www.youtube.com/embed/IIoVoOfBHW0" frameborder="0" allowfullscreen></iframe></p> <p><strong>The following year, Sabbath headed to Los Angeles’ Record Plant Studios to track <em>Vol. 4</em>, on which you broke new ground with “Changes.” It’s a piano ballad, and the lyrics are quite touching, which makes it a very unusual track for Sabbath.</strong></p> <p><strong>IOMMI</strong> It was a sad track as well. We were staying in this house and there was a ballroom with a piano in it. It was back in the days of doing a bit of blow and staying up late. And I just started playing and coming up with this idea. We had a Mellotron and Geez started to play the orchestrations. It fit well and came about pretty quickly, considering we’d never done anything like that before.</p> <p><em>Photo: Ross Halfin</em></p> <p><strong><em>This is an excerpt from the all-new March 2015 issue of <em>Guitar World</em>, which features an interview with Black Sabbath's Tony Iommi and Geezer Butler. For the rest of this interview, plus our guide to the 30 greatest classic Black Sabbath songs, plus gear views, tabs, lessons and more, <a href="http://guitarworld.myshopify.com/collections/guitar-world/products/guitar-world-march-15-black-sabbath?&amp;utm_source=gw_homepage&amp;utm_medium=article&amp;utm_campaign=SabbathExcerpt">check out the March 2015 issue of GW at the Guitar World Online Store.</a></em></strong></p> <p><img src="/files/imce-images/Screen%20Shot%202015-01-29%20at%2010.15.18%20AM_0.png" width="620" height="812" alt="Screen Shot 2015-01-29 at 10.15.18 AM_0.png" /></p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/tony-iommi">Tony Iommi</a> </div> <div class="field-item even"> <a href="/black-sabbath">Black Sabbath</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/black-sabbaths-geezer-butler-and-tony-iommi-fighting-skinheads-and-war-pigs-inspiration#comments Black Sabbath Geezer Butler March 2015 Tony Iommi Interviews News Features Magazine Fri, 30 Jan 2015 15:51:18 +0000 Brad Angle http://www.guitarworld.com/article/23391 Learn Eight Classic Eagles Songs with New Book/CD, 'Eagles: Acoustic' http://www.guitarworld.com/learn-eight-classic-eagles-songs-new-bookcd-eagles-acoustic <!--paging_filter--><p>The new <em>Eagles: Acoustic</em> book/CD is part of the Guitar Play-Along Series, which helps you play your favorite songs quickly and easily. </p> <p>Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. </p> <p>The audio CD is playable on any CD player, and also enhanced so Mac &amp; PC users can adjust the recordings to any tempo without changing pitch!</p> <p><em>The Eagles: Acoustic</em> includes eight Eagles hits:</p> <p> • After the Thrill Is Gone<br /> • Desperado<br /> • Lyin' Eyes<br /> • New Kid in Town<br /> • Peaceful Easy Feeling<br /> • Sad Café<br /> • Take It Easy<br /> • Tequila Sunrise.</p> <p><strong><a href="http://store.guitarworld.com/collections/tab-books/products/the-eagles-acoustic/?&amp;utm_source=gw_homepage&amp;utm_medium=daily_scroller&amp;utm_campaign=EaglesAcoustic">This 72-page book is available now at the Guitar World Online Store for $17.99.</a></strong></p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/eagles">Eagles</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/learn-eight-classic-eagles-songs-new-bookcd-eagles-acoustic#comments The Eagles News Features Fri, 30 Jan 2015 15:49:48 +0000 Guitar World Staff http://www.guitarworld.com/article/18783 Man of Steel with Steel Panther's Satchel: Using Classical-Style Arpeggios, and How to Play the Solo in “Weenie Ride” — Video http://www.guitarworld.com/steel-panthers-satchel-using-classical-style-arpeggios-how-play-weenie-ride-video <!--paging_filter--><p><em>These videos and audio files are bonus content related to the March 2015 issue of </em>Guitar World<em>. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the <a href="http://guitarworld.myshopify.com/collections/guitar-world/products/guitar-world-march-15-black-sabbath?&amp;utm_source=gw_homepage&amp;utm_medium=article&amp;utm_campaign=March2015VideosPage">Guitar World Online Store</a>.</em></p> <p>This month I’d like to tell you about a Steel Panther song called “Weenie Ride,” from our multi-maxi-selling 2012 album, <em>Balls Out</em>.</p> <p>“Weenie Ride” was our very first piano ballad. Our first album, <em>Feel the Steel</em>, was a huge hit in Asian countries, and everyone knows that they love piano over there, so we decided to include a piano ballad on our next record. Pretty smart, right? </p> <p>Also, when I go to Disneyland I usually see a lot of Asians, and there are a lot of rides at Disneyland, most of them with long lines. So I put two and two together and wrote “Weenie Ride,” which, by the way, has a much shorter line! Just jump right on!</p> <p> “Weenie Ride” is built around a piano part in the key of A minor. There is, of course, a bitchin’ guitar solo in the song, which I am going to show you in this column. A note about the guitar tuning: I always tune down one half step, like Eddie Van Halen. But when we recorded “Weenie Ride,” I played the solo on a standard-tuned guitar. </p> <p><strong><a href="http://guitarworld.myshopify.com/collections/guitar-world/products/guitar-world-march-15-black-sabbath?&amp;utm_source=gw_homepage&amp;utm_medium=article&amp;utm_campaign=March2015VideosPage">For the rest of this column, including the tabs, check out the March 2015 issue of Guitar World.</a></strong></p> <!-- Start of Brightcove Player --><!-- Start of Brightcove Player --><div style="display:none"> </div> <!-- By use of this code snippet, I agree to the Brightcove Publisher T and C found at https://accounts.brightcove.com/en/terms-and-conditions/. --><!-- By use of this code snippet, I agree to the Brightcove Publisher T and C found at https://accounts.brightcove.com/en/terms-and-conditions/. --><script language="JavaScript" type="text/javascript" src="http://admin.brightcove.com/js/BrightcoveExperiences.js"></script><object id="myExperience4020340442001" class="BrightcoveExperience"> <param name="bgcolor" value="#FFFFFF" /> <param name="width" value="620" /> <param name="height" value="348" /> <param name="playerID" value="798983031001" /> <param name="playerKey" value="AQ~~,AAAAj36EdAk~,0qwz1H1Ey92wZ6vLZcchClKTXdFbuP3P" /> <param name="isVid" value="true" /> <param name="isUI" value="true" /> <param name="dynamicStreaming" value="true" /> <param name="@videoPlayer" value="4020340442001" /> </object><!-- This script tag will cause the Brightcove Players defined above it to be created as soon as the line is read by the browser. 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If you wish to have the player instantiated only after the rest of the HTML is processed and the page load is complete, remove the line. --><script type="text/javascript">brightcove.createExperiences();</script><!-- End of Brightcove Player --><!-- End of Brightcove Player --> http://www.guitarworld.com/steel-panthers-satchel-using-classical-style-arpeggios-how-play-weenie-ride-video#comments Man of Steel March 2015 Satchel Steel Panther Videos News Lessons Magazine Thu, 29 Jan 2015 22:18:30 +0000 Steel Panther&#039;s Satchel http://www.guitarworld.com/article/23395 Enter to Win a Screaming Females 'Rose Mountain' Guitar Prize Pack http://www.guitarworld.com/enter-win-screaming-females-rose-mountain-guitar-prize-pack <!--paging_filter--><p>Screaming Females' new album, <em>Rose Mountain</em>, will be released February 24 via Don Giovanni Records.</p> <p>It also marks the New Jersey punk trio's 10th anniversary together!</p> <p>To celebrate, Screaming Females have partnered with <em>Guitar World</em> and some of the biggest names in the industry to give one lucky player the <a href="http://woobox.com/paoash">same set-up as the band's guitarist, Marissa Paternoster.</a></p> <p>The prize pack includes a copy of <em>Rose Mountain</em>, a G&amp;L Tribute Series S-500 guitar, a TSVG Hard Stuff Boost pedal, an Earthbound Audio Super Collider fuzz pedal, a 12-pack of GHS guitar strings and a Hip Strap guitar strap from Slinger Straps.</p> <p><strong>For more information, and everything you need to enter the contest, <a href="http://woobox.com/paoash">HEAD HERE.</a></strong></p> <p><strong>To check out Screaming Females' new album, <em>Rose Mountain,</em> on iTunes, <a href="https://itunes.apple.com/us/album/rose-mountain/id938759960">step right this way!</a></strong></p> <p><img src="/files/imce-images/ScreamingFemalesContestImage.jpg" width="620" height="620" alt="ScreamingFemalesContestImage.jpg" /></p> http://www.guitarworld.com/enter-win-screaming-females-rose-mountain-guitar-prize-pack#comments Contest Marissa Paternoster Screaming Females News Thu, 29 Jan 2015 19:24:59 +0000 Guitar World Staff http://www.guitarworld.com/article/23390 Julian Lage Discusses His New Solo Guitar Album, 'World's Fair' http://www.guitarworld.com/acoustic-nation-julian-lage-discusses-new-solo-guitar-album-worlds-fair <!--paging_filter--><p>Julian Lage is much more than just a jazz musician. </p> <p>While his musical foundation is rooted firmly in the world of bebop and swing, his playing encapsulates the full breadth of 20th-century American music. </p> <p>The ghosts of Eddie Lang, Skip James, Doc Watson and Elizabeth Cotton haunt his vintage Martin 000-18, with which he creates a sound that is distinctly modern yet deeply indebted to the American folk music tradition. </p> <p>Growing up in Northern California, Lage was something of a guitar prodigy. Practically before he could read, he was sitting in on jam sessions with David Grisman and Bela Fleck; and by his early teens, he was touring with legendary jazz vibraphonist Gary Burton. </p> <p>In addition to leading his own ensembles, Lage has since performed with too many stellar musicians to recount. Whether playing fiddle tunes with Punch Brother’s guitarist Chris Eldridge or free jazz explorations with experimental guitar wizard Nels Cline, his stunning virtuosity and melodic intrepidness are always on display.</p> <p>Lage’s upcoming release, <em>World’s Fair,</em> is a solo guitar project he says was inspired by classical master Andres Segovia. Though he’s quick to describe himself as a jazz guitarist first and foremost, <em>World’s Fair</em> showcases a more orchestral approach to the instrument. For Lage, the guitar is its own tiny orchestra, and in his hands the musical possibilities seem endless.</p> <p>While driving north to a gig in Portland, Oregon, with Cline, Julian spoke with me about his approach to improvisation, playing with dynamics and performing solo on his upcoming album.</p> <p><strong>GUITAR WORLD: You have such a strong melodic sense to your playing. Even when you’re playing these fast, complicated lines, they always sound very musical. As a guitarist, it’s so easy to get stuck in certain patterns and shapes while playing a solo, but you seem to embrace what’s cool about the linear nature of the guitar while always retaining a high level of musicality. How do you keep this balance while improvising?</strong></p> <p>Well, thank you, first of all. I think it’s a fascination I have with the guitar as a mechanism. I love the design, the open strings, the way it’s tuned—it can be challenging, and you’re totally right, there are traps you can fall into; but it’s also one of the most lyrical instruments in the sense that you can play really simple things and they will sound kind of righteous. </p> <p>Even just playing a C major triad can be so satisfying! I would say as a directive, what I envision starts with the guitar’s design. I don’t really have to avoid certain things; I just end up doing what sounds obvious to me. A big part of what gives my playing a sense of melody is that it has an intervallic architecture. I think in terms of ratios, where I will play a bunch of notes really close together chromatically and then notes that are wide apart. I’m almost playing with—not deception or illusion—but implying this breathing organism that is at times really tight and at others really open. This intervallic approach is how you get a different sense of orchestration that wouldn’t typically be applied to the guitar.</p> <p><strong>I love the way you utilize dynamics. It creates such an expressive style that is so unique to you. How conscious are you of playing with a sense of dynamics?</strong></p> <p>I think it’s as simple as that I’m a sucker for as wide a dynamic range as you can have on the guitar. I love Django Reinhardt, for example, who is the most unbelievably dynamic, fluid and dramatic player. I’m drawn to players that have a sense of drama, ones that know how to drip you and make you feel like the end of their solo coincides with the end of the world! I think you’re either drawn to that style or you have other ways of achieving drama. </p> <p>I’ve always been fascinated with what the opposite of that style of playing would be, because if I know what the opposite is, I can work in the other direction. So the opposite of dramatic playing might be very monotone and lack variation within the intervallic structure. Instead, I might purposely play with dips in volume and incorporate a balance of staccato and legato lines. It’s conscious in the sense that I’m making an effort to do it, but I always feel like I could do more. I think, “Man I could have made it sound so much more like a voice if I didn’t play those five notes at the same volume.” It’s always a work in progress. </p> <p><strong>The compositions on this album incorporate a wide range of genres of essentially American music. There’s jazz, folk, bluegrass, it reminds me a lot of what David Grisman did back in the Seventies. How did you go about cultivating this style?</strong></p> <p>Grisman is totally one of my life heroes, so is Bela Fleck—these are guys I was around a lot as a young person. </p> <p>People always say, “You know Grisman invented Dawg Music,” but if you listen, it was really just music. He took his favorite aspects of everything. I think rock bands do this all the time and so do pop artists to a large degree, but maybe in jazz it’s still kind of novel. People say, “Wow, you would take that and put it with that!” I still consider what I do jazz, but I totally agree with you that what I’m doing is distinctly American in a way. There are certain aesthetics on this record that you’re more likely to find in contemporary acoustic chamber music, American classical music and old-time fiddle music. </p> <p>The same is true with the rhythmic propulsion on the record. I purposely stayed away from playing anything with a swing feel, because I didn’t think solo guitar was the format for me to play swing. Instead, I incorporated things like Travis-picking styles and doo-wop styles. That feel is also a big part of what gives the music a location. So it wasn’t a conscious thing, but I was around people who did that very naturally and maybe I took it for granted. </p> <p><strong>Speaking of swing feel, I’d imagine a lot of people would except this album to be more of a Joe Pass solo guitar thing, but it’s really not. You’ve said Segovia was a big influence for this album. Can you speak to that?</strong></p> <p>Yeah, good point. Segovia is my hero. He and Julian Bream are just the greatest. It’s funny; when I was younger, I thought I wasn’t smart enough to like him. I thought his playing was the ultimate in virtuosity. But then when I started listening to him, as I got older, I thought, “This is music I could just put on in my house and listen to all day.” There was no elitism; it was just such rich music. There was also a legitimacy that Segovia brought to the guitar as a concert instrument. He made it so it was no longer this weakling trying to fit in with an orchestra, but also not this bombastic thing. </p> <p>What he did was on par with someone sitting down at a Steinway piano. So that was the inspiration: I wanted to make a record that I would want to listen to in the background. I also wanted to keep it consistent with having three to four minute songs I could play for anybody and not have to say, “Oh, I wish you could hear this with a bass player.” </p> <p>Segovia’s probably the all-time greatest example of that. I don’t pretend to think I’m on his level, and I’m also coming at it from a very different angle, but I do think it’s worth striving for. As for the Joe Pass and Martin Taylor School of solo guitar, those guys are insane! They’re so good. I also have enough respect for them to realize I don’t do what they do; and that since it already exists at such a high level, I should do something different. </p> <p><strong>You mentioned to me earlier you’re currently driving to a gig with Nels. You’ve played in a number of intriguing duos already in your career. How would you compare solo playing to playing in a duo?</strong></p> <p>Playing in a duo is kind of the dream for me. Playing with Nels is the ultimate. Pretty much every duo I’ve been a part of is because I like the person and they happen to play music and then we happen to play together. It hasn’t been deliberate like, “The sound of two guitars is what I’m looking for.” Instead it’s just been because I love Nels or whomever else I’m playing with. We just both happen to play guitar. Solo playing is about learning how to be stronger in different ways. </p> <p>A lot of my musical life has been about responding and interacting, and with solo guitar I still have to do that but with myself. I have to be very resourceful when it’s just me and enjoy even the little stuff that I play. It can’t all be explosive, fast stuff; I need more mundane, beautiful things. It’s sort of a lesson in self-compassion, because if you start to hate what you’re playing it can be a very long night. And then when I come back to a duo, it’s like I’ve come back to a big band. I feel like the sound just quintupled! That all makes it pretty fun, they go well together. </p> <p><em>For more about Lage, visit <a href="http://www.julianlage.com/">julianlage.com.</a></em></p> <p><img src="/files/imce-images/Screen%20Shot%202015-01-29%20at%2012.53.56%20PM.png" width="620" height="620" alt="Screen Shot 2015-01-29 at 12.53.56 PM.png" /></p> <p><em>Ethan Varian is a freelance writer and guitarist based in San Francisco. He has performed with a number of rock, blues, jazz and bluegrass groups in the Bay Area and in Colorado. <a href="http://dig-it-music.blogspot.com/">You can view his music blog here.</a></em></p> http://www.guitarworld.com/acoustic-nation-julian-lage-discusses-new-solo-guitar-album-worlds-fair#comments Acoustic Nation Julian Lage News Interviews Blogs Interviews News Features Thu, 29 Jan 2015 17:58:32 +0000 Ethan Varian http://www.guitarworld.com/article/23388 NAMM 2015: NewBay Media Congratulates Best of Show Award Winners http://www.guitarworld.com/namm-2015-newbay-media-congratulates-best-show-award-winners <!--paging_filter--><p>NewBay Media's team of reviewers took to the show floor at the 2015 Winter NAMM Show with one aim: to check out and identify the best gear on the show floor from a flurry of submissions. Yes, the Best of Show award judging was under way.</p> <p>Armed with product descriptions and booth locations, anonymous reviewers put each and every product through its paces with the goal of singling out top gear. </p> <p>Products were judged on value, versatility, design, craftsmanship, feel, sound, cosmetics and that elusive something special, “mojo.” Items were scored on an average based on a 1-10 rating that took into account only the criteria that were applicable for each product.</p> <p>Products were reviewed from the perspective of the media outlet(s) for which they were submitted. Titles like <em>Guitar Player, Keyboard, Electronic Musician, Guitar World</em> and more each selected their favorites.</p> <p>One judge shared, “There’s an overwhelming amount of new gear at the NAMM Show. Having the opportunity to judge some of the leading manufacturers’ most innovative new offerings was equally challenging and lots of fun.”</p> <p>The first ever Best of Show Awards presented by the NewBay Music Group, top scorers for each publication were singled out and will be featured in an upcoming <em><strong>Best of Show NAMM 2015 Program Guide</strong></em>. Please join us in congratulating the winners:</p> <p><strong>Acoustic Nation</strong><br /> D’Addario EXP Strings with NY Steel</p> <p><strong>Bass Player</strong><br /> Ampeg BA Series<br /> Fodera Monarch 4 Standard Classic</p> <p><strong>Electronic Musician</strong><br /> Auro Technologies Auro-3D Creative Tool Suite<br /> McDSP v6 Release<br /> Shure MOTIV<br /> TC-Helicon Ditto Mic Looper</p> <p><strong>Frets</strong><br /> Planet Waves Clip On Headstock Tuner</p> <p><strong>Guitar Aficionado</strong><br /> Fodera Dyer Oak Emperor II Custom Bass</p> <p><strong>Guitar Player</strong><br /> Fishman Fluence 7-String Modern Humbuckers<br /> Shure MOTIV<br /> Supro 1650RT Royal Reverb Amp<br /> Taylor Guitars 600 Series<br /> Tech 21 Richie Kotzen RK5 Signature Fly Rig</p> <p><strong>Guitar World</strong><br /> Gibson Les Paul Reference Monitors<br /> Knaggs Steve Stevens Signature 2015<br /> Taylor Guitars 600 Series<br /> WD Music/Kluson Revolution Series G Mount Tuning Machine</p> <p><strong>Keyboard</strong><br /> Akai Professional Advance Keyboards</p> <p><strong>Revolver</strong><br /> Kiesel Guitars Vader</p> <p><strong>Pro Audio Review</strong><br /> Auro Technologies Auro-3D Creative Tool Suite<br /> Mackie DL32R Wireless Digital Live Sound Mixer</p> <p><strong>Mix</strong><br /> Auro Technologies Auro-3D Creative Tool Suite<br /> Blue Microphones Mo-Fi, Powered High-Fidelity Headphones<br /> Electro-Voice EXX Series Portable Loudspeakers<br /> Gator Cases Inc. Frameworks Microphone Accessory Tray<br /> Gibson Les Paul Reference Monitors</p> <p><strong>Pro Sound News</strong><br /> Auro Technologies Auro-3D Creative Tool Suite<br /> Blue Microphones Mo-Fi, Powered High-Fidelity Headphones<br /> Electro-Voice EXX Series Portable Loudspeakers<br /> JBL Professional by Harmon SRX835P Portable Powered Loudspeakers<br /> Mackie DL32R Wireless Digital Live Sound Mixer<br /> Marshall Electronics Mini Mixer+</p> http://www.guitarworld.com/namm-2015-newbay-media-congratulates-best-show-award-winners#comments Acoustic Nation NAMM 2015 News Gear News Gear Thu, 29 Jan 2015 17:44:37 +0000 Laura B. Whitmore http://www.guitarworld.com/article/23385 NAMM 2015: DigiTech Trio Band Creator Pedal, a Band in a Box — Video http://www.guitarworld.com/namm-2015-digitech-trio-band-creatior-pedal-band-box-video <!--paging_filter--><p>Here's one of the coolest things we saw at the 2015 Winter NAMM Show.</p> <p>It's the DigiTech Trio Band Creator pedal.</p> <p>As you'll see in the two videos below (which features Jason Zerbin), the Trio listens to the way you play and automatically generates bass and drum parts that match your song. Just plug your guitar into Trio, press the footswitch to teach Trio your chords and rhythm, then press the footswitch again to start playing with your own personal band. </p> <p>Find out more about the DigiTech Trio <a href="http://digitech.com/en-US/products/trio">right here.</a></p> <p><strong>For more NAMM 2015 coverage, visit <a href="http://www.guitarworld.com/tags/namm-2015">GuitarWorld.com's official NAMM 2015 Zone,</a> get updates on <a href="https://www.facebook.com/GuitarWorld">Facebook</a> and photos and more on <a href="https://twitter.com/GuitarWorld">Twitter</a> and <a href="http://instagram.com/guitarworldmagazine">Instagram.</a> It's like you're at the show!</strong></p> <p><strong>Official DigiTech demo video:</strong></p> <p><iframe width="620" height="365" src="https://www.youtube.com/embed/26E8AHpUJ6k" frameborder="0" allowfullscreen></iframe><br /> <br /><br /> <strong><em>Guitar World</em> video from NAMM 2015:</strong></p> <p><iframe width="620" height="365" src="https://www.youtube.com/embed/QTa3oZ-4SMQ" frameborder="0" allowfullscreen></iframe></p> http://www.guitarworld.com/namm-2015-digitech-trio-band-creatior-pedal-band-box-video#comments DigiTech NAMM 2015 NAMM 2015 video Videos Effects News Gear Thu, 29 Jan 2015 17:13:48 +0000 Guitar World Staff http://www.guitarworld.com/article/23387 Doug Aldrich Shreds His Ass Off with Dio — Video http://www.guitarworld.com/doug-aldrich-shreds-his-ass-dio-video <!--paging_filter--><p>You're on tour with Dio during the 2005 Holy Diver Live tour, and the band is approaching the closing bits of "Shame on the Night."</p> <p>Before he disappears from the stage, your bossman, Ronnie James Dio, screams your name and points you out, meaning it's your time to own the stage and melt the faces of the unsuspecting audience.</p> <p>What do you do?</p> <p>Well, here's what Doug Aldrich did — and it's freakin' awesome.</p> <p>Dio + Doug Aldrich + a Goldtop Gibson Les Paul + Marshall stacks + a Dunlop wah pedal ... what could be better?</p> <p>If this footage looks particularly professional (and familiar), it's from the 2006 <em>Holy Diver — Live</em> DVD. As always, enjoy! And please tell us what you think in the comments or on Facebook!</p> <p><iframe width="620" height="365" src="//www.youtube.com/embed/WxicB0bll3I" frameborder="0" allowfullscreen></iframe></p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/dio">Dio</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/doug-aldrich-shreds-his-ass-dio-video#comments Dio Doug Aldrich Ronnie James Dio Videos News Thu, 29 Jan 2015 15:59:13 +0000 Damian Fanelli http://www.guitarworld.com/article/22055 Guide to the Songs and Instruments Featured on The Beatles' 'A Hard Day's Night' Album http://www.guitarworld.com/guide-songs-and-instruments-featured-beatles-hard-days-night-album <!--paging_filter--><p>There was no mania quite as manic as Beatlemania, and it was at its undisputed height in 1964. </p> <p>In February, the Beatles had conquered the United States, the birthplace of their rock and roll idols, appearing twice on the Ed Sullivan Show and performing pandemonium-inducing shows at the Washington Coliseum and Carnegie Hall. </p> <p>In early April, they owned the top five spots on the Billboard singles charts. To top it all off, they were about to become film stars, and they needed an album — their third — to coincide with the film’s release.</p> <p>Titled <em>A Hard Day’s Night</em>, a 90-minute black-and-white comedy presented a typical day in the life of the Beatles, and took about 50 days to shoot — from March 2 to April 24. Producer Walter Shenson asked the band for “six or seven” songs for the film (It wound up being seven), a mixed bag of ballads and up-tempo numbers. Of course, they’d need twice that number of songs for a full album.</p> <p>“There were times when we honestly thought we’d never get the time to write all the material,” Lennon said. “But we managed to get a couple of [songs] finished while we were in Paris.” While sessions for <em>A Hard Day’s Night</em> started in earnest at Abbey Road Studio Two on February 25 with Lennon’s “You Can’t Do That,” McCartney’s “Can’t Buy Me Love” was recorded January 29 at Pathé Marconi Studios in Paris. </p> <p>The song, a bouncy, jazzy minor blues in C with an eight-bar major chorus, was finished in four takes after notable evolution from the first take to the last. It features a catchy, double-tracked solo break by Harrison, who employs his Gretsch Country Gentleman and his new toy, a 1963 Rickenbacker 360-12, which was overdubbed when he acquired the guitar in February.</p> <p><iframe width="620" height="365" src="https://www.youtube.com/embed/SMwZsFKIXa8" frameborder="0" allowfullscreen></iframe></p> <p>Back at Studio Two, Harrison’s 12-string Rickenbacker was put to work on several songs, including “You Can’t Do That,” “I Should Have Known Better,” “I’m Happy Just to Dance With You” and the album’s stunning title track. The jangly 12-string Rickenbacker heralded the dawn of a new Beatles sound for 1964 — as if the chart-topping Fabs needed to reinvent themselves — and influenced a host of other guitarists, most notably Pete Townshend of the Who and Jim McGuinn of the Byrds.</p> <p>In addition to the Rickenbacker 360-12 and Gretsch Country Gentleman, Harrison used his Gibson J-160E and a nylon-stringed José Ramírez Guitarra de Estudio guitar, which he’d probably purchased at a guitar shop in Rathbone Place, London, where imported guitars were among the specialties.</p> <p>Lennon alternated between his own Gibson J-160E, which he and Harrison had bought together in Liverpool in 1962, and his new black, or Jetglo, 1964 Rickenbacker 325 Capri. Lennon received the new guitar while the Beatles were resting in Miami, Florida, in mid-February. It had been sent directly to the Beatles’ hotel from Rickenbacker in California.</p> <p>Lennon’s first appearance with the new Capri was on February 15 during rehearsals for their next appearance on the Ed Sullivan Show. When the band rehearsed the day before, Lennon was using his 1958 Capri — but that would be the last public appearance of that guitar in Lennon’s hands. The 1964 model (serial number DB122) had a thinner body than the 1958, a slightly smaller headstock with a white Rickenbacker nameplate, and a Rickenbacker Ac’cent vibrato unit. McCartney played his 1963 Hofner 500/1 bass. Lennon and Harrison played through two Vox AC50 amps while McCartney favored a hefty Vox AC100.</p> <p><iframe width="620" height="365" src="https://www.youtube.com/embed/Nm4YlZ3oYsQ" frameborder="0" allowfullscreen></iframe></p> <p>The quick evolution of songs was common during this period, as evidenced by the progress of McCartney’s gentle ballad “And I Love Her” over the course of three days. As can be heard on <em>Anthology 1</em>, the band originally attempted this tune with their typical <em>A Hard Day’s Night</em> setup — McCartney on his Hofner 500/1 bass, Lennon on his Gibson J-160E acoustic, Harrison on his 12-string Rickenbacker and Starr on drums, including heavy use of the floor tom for accents. Not until the second take from the third day of sessions did they nail this tune — with Harrison switching to his Ramírez Spanish guitar and Ringo forgoing the drums altogether by playing bongos and claves, another first for the band.</p> <p>Recording of the movie songs chugged along at Studio Two throughout the winter, including Lennon’s ballad, “If I Fell.” With its intricate chord structure and complex harmonies sung by Lennon and McCartney — recorded together at one microphone — the song was completed in 15 takes, all on February 27. </p> <p>It is noted for being the most chord-intensive song the band had recorded so far, with changes taking place with almost every note sung, and also for its inclusion of a rare studio error: McCartney’s cracking voice on the second verse, at the end of the line “would be sad if our new love was in vain” (stereo mix only).</p> <p><iframe width="620" height="365" src="https://www.youtube.com/embed/kPKYPI1jjdg" frameborder="0" allowfullscreen></iframe></p> <p><em>A Hard Day’s Night</em> was the first Beatles album to contain only original songs, all of which are credited to Lennon/McCartney, and the only Beatles album on which Lennon is the dominant songwriter, having written 10 of the 13 songs. McCartney wrote “Can’t Buy Me Love,” “And I Love Her” and “Things We Said Today.” </p> <p>Whether you’re talking about the film, the album or the song, <em>A Hard Day’s Night</em> was another massive hit that further fueled the fire of Beatlemania.</p> <p><strong>A HARD DAY'S NIGHT: EXTRA FACTS</strong></p> <p><strong>Recorded:</strong> January 29, February 25–27, March 1, April 16 and June 1 &amp; 2, 1964</p> <p><strong>Location:</strong> Abbey Road Studio Two and EMI Pathé Marconi Studios, Paris</p> <p><strong>Released:</strong> July 10, 1964</p> <p><strong>Track Listing:</strong></p> <p>A Hard Day’s Night<br /> I Should Have Known Better<br /> If I Fell<br /> I’m Happy Just to Dance with You<br /> And I Love Her<br /> Tell Me Why<br /> Can’t Buy Me Love<br /> Any Time at All<br /> I’ll Cry Instead<br /> Things We Said Today<br /> When I Get Home<br /> You Can’t Do That<br /> I’ll Be Back</p> <p><strong>Related Singles and EPs:</strong> “Can’t Buy Me Love” / “You Can’t Do That” (released March 20, 1964, Parlophone); “A Hard Day’s Night” / “Things We Said Today” (released July 10, 1964, Parlophone); <em>Long Tall Sally</em> EP, featuring “Long Tall Sally,” “I Call Your Name,” “Slow Down” and “Matchbox” (released June 19, 1964) </p> <p><strong>Yeah, Yeah …</strong></p> <p><em>"I'll Cry Instead"</em>: This catchy Lennon song, recorded in two parts on June 1 and edited together, rarely gets credit for being one of the first country-rock songs. </p> <p><strong>… No</strong></p> <p><em>"I Should Have Known Better":</em> Lyrically and musically, this is one of the band's least-distinguished songs of the period, and its ultra-simple-even-for-1964 12-string Rickenbacker solo represents a wasted opportunity.</p> <p><em>Damian Fanelli is the online managing editor at </em>Guitar World<em>.</em></p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/beatles">The Beatles</a> </div> <div class="field-item even"> <a href="/paul-mccartney">Paul McCartney</a> </div> <div class="field-item odd"> <a href="/john-lennon">John Lennon</a> </div> <div class="field-item even"> <a href="/george-harrison">George Harrison</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/guide-songs-and-instruments-featured-beatles-hard-days-night-album#comments 2011 Damian Fanelli George Harrison GWLinotte Holiday 2011 John Lennon Paul McCartney Ringo Starr The Beatles Holiday News Features Magazine Thu, 29 Jan 2015 15:54:33 +0000 Damian Fanelli http://www.guitarworld.com/article/14135 Black Sabbath Bassist Geezer Butler Arrested for Assault and Vandalism in California http://www.guitarworld.com/black-sabbath-bassist-geezer-butler-arrested-assault-and-vandalism-california <!--paging_filter--><p>Black Sabbath's Geezer Butler was arrested Tuesday night after getting into a bar brawl in California's Death Valley National Park, according to a police statement. </p> <p>Officers from the Inyo County Sheriff's Office arrested the 65-year-old bassist for misdemeanor assault, public intoxication and vandalism. The altercation took place at the <a href="http://www.yelp.com/biz/corkscrew-saloon-death-valley">Corkscrew Saloon in Furnace Creek Ranch.</a></p> <p>"After the Inyo County Sheriff’s Deputy arrived on scene and interviewed witnesses, it was determined that there had been an argument that escalated into a physical confrontation, resulting in an individual being struck and a broken window," Inyo County police said in a statement.</p> <p>Butler was booked into the county jail and was later released after "detox and citation."</p> <p>According to <em>Rolling Stone,</em> a representative for Butler wasn't immediately available for comment.</p> <p><strong>Butler and Black Sabbath guitarist Tony Iommi appear on the cover of the new March 2015 issue of <em>Guitar World</em> magazine, <a href="http://guitarworld.myshopify.com/collections/guitar-world/products/guitar-world-march-15-black-sabbath">which is already available at the Guitar World Online Store.</a></strong></p> <p>Last year, Sabbath frontman Ozzy Osbourne said the band hoped to begin writing sessions for a new album around this time and promised at least one more set of live dates. "We're going to do one more album and a final tour," he told <em>Metal Hammer.</em> "I said [to my wife], 'Sharon, I ain't fucking 21 anymore. If we're going to do [it], I want to do it before I'm 70. Time isn't on our side.'"</p> <p>Stay tuned for more info!</p> <p><img src="/files/imce-images/Screen%20Shot%202015-01-29%20at%2010.15.18%20AM.png" width="620" height="812" alt="Screen Shot 2015-01-29 at 10.15.18 AM.png" /></p> <fieldset class="fieldgroup group-additional-content"><legend>Additional Content</legend><div class="field field-type-nodereference field-field-related-artist"> <div class="field-label"><p><strong>Related Artist:</strong>&nbsp;<p></div> <div class="field-items"> <div class="field-item odd"> <a href="/black-sabbath">Black Sabbath</a> </div> </div> </div> </fieldset> http://www.guitarworld.com/black-sabbath-bassist-geezer-butler-arrested-assault-and-vandalism-california#comments Black Sabbath Geezer Butler News Thu, 29 Jan 2015 15:17:16 +0000 Guitar World Staff http://www.guitarworld.com/article/23386 2015 Guitar World Review Guide: Gear Year in Review, with Playboy's Jaclyn Swedberg, Raquel Pomplun and Pamela Horton http://www.guitarworld.com/2015-guitar-world-review-guide-gear-year-review-playboys-jaclyn-swedberg-raquel-pomplun-and-pamela-horton <!--paging_filter--><p><a href="http://guitarworld.myshopify.com/collections/buyers-guide/products/guitar-world-2015-guitar-review-guide-1/?&amp;utm_source=facebook&amp;utm_medium=daily_ad&amp;utm_campaign=ReviewGuide15"></a></p> <p><em>Guitar World</em>'s 2015 Guitar Review Guide is <a href="http://guitarworld.myshopify.com/collections/buyers-guide/products/guitar-world-2015-guitar-review-guide-1/?&amp;utm_source=facebook&amp;utm_medium=daily_ad&amp;utm_campaign=ReviewGuide15">available now for $7.99!</a></p> <p>The 2015 review guide includes the top picks of the year's best gear, modeled by <em>Playboy</em> Playmates Jaclyn Swedberg, Raquel Pomplun and Pamela Horton. The issue also features the hottest new gear for this holiday season: electrics, recording gear, acoustics, basses, effects, amps, holiday gift ideas, stocking stuffers and more! Plus a special 2015 sneak preview to help you stay current.</p> <p><strong>Sections Include:</strong></p> <p><strong> Electric Guitars</strong> - Whether you like them curvy, slim, big or thick, you'll find just the thing to keep you performing all night long.<br /> <strong> Acoustic Guitars</strong> - If you like your tone au naturel, you'll love this collection of flattops, archtops and acoustic electrics.<br /> <strong> Bass Guitars</strong> - Lift up the low end with big-bottom beauties in every shape and style.<br /> <strong> Amplifiers</strong> - Our combos and stacks have all the knobs and inputs you could possibly want. Plug in and make your main ax scream.<br /> <strong> Effects </strong>- Like to get weird? We've got a throng of boosters, boxes, plug-ins and more that will surely tickle your fancy.<br /> <strong> Recording &amp; Accessories </strong>- Time to freshen up your bag of tricks? Mix things up with some leather straps, a wang bar or maybe even a perky pair of knobs.</p> <p><strong><a href="http://guitarworld.myshopify.com/collections/buyers-guide/products/guitar-world-2015-guitar-review-guide-1/?&amp;utm_source=facebook&amp;utm_medium=daily_ad&amp;utm_campaign=ReviewGuide15">The 2015 Review Guide is available now at the Guitar World Online Store.</a></strong></p> <p><iframe width="620" height="365" src="//www.youtube.com/embed/eJz4qQUGwgs" frameborder="0" allowfullscreen></iframe></p> http://www.guitarworld.com/2015-guitar-world-review-guide-gear-year-review-playboys-jaclyn-swedberg-raquel-pomplun-and-pamela-horton#comments 2015 Review Guide News Features Thu, 29 Jan 2015 15:08:41 +0000 Guitar World Staff http://www.guitarworld.com/article/22864 NAMM 2015: Kiesel Guitars Vader Headless Model — Video http://www.guitarworld.com/namm-2015-kiesel-guitars-vader-headless-model-video <!--paging_filter--><p>Members of the <em>Guitar World</em> crew paid a visit to the Carvin Guitars/Kiesel Guitars booth at the 2015 Winter NAMM Show in Anaheim, California.</p> <p>As you can see in the new video below, we got the rundown on Kiesel Guitars' Vader headless model, which generated a lot of interest at the NAMM Show.</p> <p>For more about Carvin and Kiesel Guitars, visit <a href="http://www.carvinguitars.com/">carvinguitars.com.</a></p> <p><strong>For more NAMM 2015 coverage, visit <a href="http://www.guitarworld.com/tags/namm-2015">GuitarWorld.com's official NAMM 2015 Zone,</a> get updates on <a href="https://www.facebook.com/GuitarWorld">Facebook</a> and photos and more on <a href="https://twitter.com/GuitarWorld">Twitter</a> and <a href="http://instagram.com/guitarworldmagazine">Instagram.</a> It's like you're at the show!</strong></p> <p><iframe width="620" height="365" src="https://www.youtube.com/embed/S6S5I8GqP_U" frameborder="0" allowfullscreen></iframe></p> http://www.guitarworld.com/namm-2015-kiesel-guitars-vader-headless-model-video#comments Carvin Guitars Kiesel Guitars NAMM 2015 NAMM 2015 video News Wed, 28 Jan 2015 18:39:33 +0000 Guitar World Staff http://www.guitarworld.com/article/23382