Catch a rare inside glimpse of one of the world's most revered guitarists, David Gilmour, and his iconic Black Stratocaster. Pink Floyd: The Black Strat was written by Phil Taylor, Gilmour's personal guitar technician and the band's chief backline tech since 1974. He was the only man to know Pink Floyd's equipment better than the band.
Luckily, musicians in search of quality signature gear — from guitars to amps to effects to pickups — don't have to worry about that nonsense. Generally, gear manufacturers work closely with their signature artists, in some cases, right down to the tiniest of details (Some artists repeatedly send back the prototypes until they're perfect).
What, exactly, is a headphone album? Well, the definition changes depending on who you are. For audiophiles, a headphone album is a work that is so exquisitely recorded that it demands that you have to listen to each beautifully recorded note under a sonic microscope. Something like Miles Davis’ Kind of Blue fits that bill.
In this insightful instructional DVD, Lloyd gives viewers a new and comprehensive way to understand the fretboard, one that unlocks the mysteries that so often confuse and frustrate guitarists, whether they are beginners or advanced players. One of Guitar World's most popular instructors, Lloyd presents lessons on topics that include hexatonic blues scales, emphasizing minor thirds in pentatonic patterns, the cycle of fourths and fifths, and much more.
The Beach Boys had a really cool guitar sound. I also liked the guitarists in the Searchers and the Dave Clark Five. Then Jimi Hendrix and Pete Townshend hit, and it turned the guitar world on its ear. The more I got into playing guitar, the more I enjoyed music and the broader my listening became. The instrument itself became important to me, and I started messing around with classical guitar and took classical lessons.
Every producer imparts special information; Emile Kelman encouraged minimalism. Brad Jones taught me about layering. Larry Klein has deep intuition. Rick Parker conjures a vibe. Pete Min is a master of process. John Alagia understands how tonality impacts songs. Steve Rosenthal knows history. Ed Ackerson rewrites it. Buddy Miller captures lightning in a bottle. They all do.
Stevie Ray Vaughan released four studio albums, a live album and a Vaughan Brothers album, not to mention enough leftover live and studio material to fill several posthumous albums and a box set. He even found the time to perform on albums by several other artists — from Teena Marie to Stevie Wonder to Don Johnson — very often with fiery results.