The Allman Brothers Band At Fillmore East has been considered rock’s best live album since its 1971 release. Recorded March 12 and 13, 1971, at the New York club, the album captured the original Allman Brothers Band at the peak of their powers, playing with verve, grace, intensity and seemingly telepathic communication.
Regarded by many as the three most vital purveyors of pure hard rock/heavy metal sonic evil, AC/DC’s Angus Young, Led Zeppelin’s Jimmy Page and Black Sabbath’s Tony Iommi have each forged a distinct, instantly recognizable guitar style and sound. After more than three decades of dedicated service, all three players continue to influence countless up-and-coming metalheads the world over, and an in-depth study of each guitarist’s distinct musical personality is mandatory for any aspiring hard rock player.
Never a band to play by the rules, Buckcherry have made a career out of pushing the boundaries — and buttons — of conventional rock while doing things their own way. It’s a strategy that has paid off with successful studio albums and singles over the last decade.
Between July 9 and September 14, 1974, David Crosby, Stephen Stills, Graham Nash and Neil Young played 31 shows on a tour that took them through the U.S. and up into Canada, touching down for a grand finale at London’s Wembley Stadium.
“That album has the song ‘I Can See for Miles,’ which really put the hooks in me. The Who Sell Out is still weird now! Nobody does anything that cool today. It’s great and goes all over the map, musically speaking.
“My Aim Is True was a huge influence on our first record. We all really love rhythm and blues and the immediacy of it—that sort of ballsy thing—but I also really love melodies; I’m a huge fan of Scott Walker and all those big-sounding Sixties records with beautiful melodies. Costello seemed to just get it right in the middle.”
Probably 99 Percent of the guitars built with graphics inspired by Pink Floyd’s The Dark Side of the Moon feature the album cover’s iconic prism design. Mark “Gig” Goldstein’s Dark Side of the Moon guitar also includes the prism, but it is just one small detail in a larger tableau that he carved into the front of a Gibson SG—a scene that tells the album’s entire story.
Has any piece of musical equipment proliferated more, or more rapidly, than the humble electric guitar effect unit? Though there is no official tally, suffice it to say that thousands of stomp boxes, effect devices and processors have been created for the electric guitar over the past 60 years (and that’s not including rackmount effects). Conceivably, more than half of those devices are distortion, fuzz and overdrive effects.