Ken Scott—one of a handful of recording engineers to have worked with the Beatles—has stories to tell. And lucky for us, he loves telling them. To emphasize the point, Scott will be publishing a 500-page memoir, Abbey Road To Ziggy Stardust, on June 6 through Alfred Music Publishing. The book recounts the events of what Scott calls his "blessed life" working with innumerable rock legends.
"There's a whole thing in the book about the different places I've been with Jeff and his mental state. With Truth, it was before any of them [the Jeff Beck Group] were really known. It was just a bunch of great guys, and we had a blast recording it. When we were gonna start the next album, they came in after their first American tour and they had egos out the door. It was obvious very quickly we weren't gonna work well together."
Enter now to win a signed Epiphone Limited Edition Les Paul Studio Deluxe guitar by uploading your best air-guitar performance set to Haynes' ripping solo on his song "Man In Motion" from the video below!
A host of musicians, celebrities and comedians — including Duff McKagan, Sharon Osbourne and Scott Ian — turned the heat up on guest of honor Zakk Wylde at Guitar World’s Rock & Roll Roast. The result? A brewtally funny good time.
While it seems we’ve taken it for granted that our favorite rockers are gonna keep on wailing into their geriatric years, what about the rest of us? Rock keeps you young, right? But even grandmas need pick up an axe once in a while. My new goal? I want to annoy the hell out of my future grandchildren with screaming leads from songs they think are “old” and “boring.” YES!
It's 11 a.m. on the day after Halloween, in the Koreatown neighborhood of Los Angeles. The sun is shining and Guitar World is up bright and early (well, at least by rock-star standards) to meet with Mastodon at the Wiltern Theatre.
My approach to guitar is tonally a little different than most modern shredders, as I base all my playing around the pentatonic scale. Players like Shawn Lane and Eric Johnson do this better than anyone on the planet. But my approach is a little different again. I use the combination of sweep picking and three-string arpeggios to get around the guitar rather than focus on the scales in their natural form.