Playing live might be the best way to hone your performance skills, but when it comes to technique, you need practice, practice, practice. If you play an electric guitar, your woodshedding sessions demand an amp that not only reveals the details and nuance of your playing but also sounds great—so great that it makes you want to practice more and become the best guitarist you can.
1001 Jazz Licks: A Complete Jazz Vocabulary for the Improvising Musician presents 1,001 melodic gems played over dozens of the most important chord progressions heard in jazz. This is the ideal book for beginners seeking a well-organized, easy-to-follow encyclopedia of jazz vocabulary, as well as professionals who want to take their knowledge of the jazz language to new heights.
10,000 Light Years Ago is the superb new studio album by legendary Moody Blues bassist John Lodge. It’s Lodge’s first album of new solo material since 1977's Natural Avenue. The album contains some of Lodge's most personal songs and even features guest performances by former Moody Blues members Ray Thomas and Mike Pinder.
J.J. Cale was one of those players—an incredibly gifted soul who made any musical situation he was a part of better.
Lauded by other players—some of the best in the business, in fact—but blessed/cursed with a talent:ego ratio that prevented him from ever touting his own horn very loudly. Marc Ford is another one of those players.
I was a little kid, like six or seven years old, when the Beatles came out. I remember hearing their music and I couldn’t imagine where that sound was coming from. Then I saw a picture of the Beatles, and George [Harrison] had an electric guitar, and I was like “That’s it!” It was that sound—the sound of George’s guitar—that first captured me when I was really young. It all goes back to that sound.
In this lesson, I will demonstrate an interesting method of utilizing your index finger on your picking hand, which is traditionally used for two-handed tapping. The tablature shows a descending legato run in the key of A natural minor comprised of groupings of eight notes. There are no picked notes whatsoever here, just unassisted hammer-ons and pull-offs.