Recently, Ceekars (pronounced “seekers”) developed what it's calling the world’s first 4D headphones, and the aural experience is trippy. The company reached out to Guitar World and asked us to suggest some music that would put their radically new concept to the test. We responded with the following five tracks.
The notion of sweeping (or raking) the pick across the strings to produce a quick succession of notes has been around since the invention of the pick itself. Jazz players from the Fifties would use the approach in their improvisations, and Chet Atkins was known to eschew his signature fingerstyle hybrid-picking technique from time to time and rip out sweep-picked arpeggios.
Seated across from one another in a cavernous, chilly San Francisco photo studio, Tosin Abasi and Guthrie Govan are deep in conversation, dissecting and debating the relative merits of various guitar neck tone woods. They’re both clearly attuned to the same profound level of guitar geekery—fretboard brothers. But it’s hard to imagine two human beings more different in appearance.
Today, GuitarWorld.com presents the exclusive premiere of a previously unreleased alternate recording of "Bad Company," the title track from the 1974 debut album by—you guessed it—Bad Company. The recording is from the new remastered, deluxe edition of the album, which will be released April 7 by Rhino. Rhino also will release a new deluxe version of 1975's Straight Shooter the same day.
Besides bringing a familiar face to the band, Matt’s arrival heralds a new-found dynamic; Human introduces heavier, darker shades to the band's songwriting and sound. New tracks like “I Am Machine” offer inspired, hook-laden riffs while “Painkiller” tackles more personal topics from a unique point of view.
Since the guitar's inception, there have undoubtedly been talented players that could make the instrument sing, but it wasn't until the mid '60s and the arrival of the wah pedal that one could make it cry.
It’s impossible to think about Eighties rock without vibrant visuals of half-naked dudes prancing around stage wearing more makeup and hair product than a horde of groupies. Even though the period broke almost every unwritten rule of rock and roll, it became one of its most successful sub-genres. So, what if this current Eighties revival is stronger than we realize and hair metal rises from the ashes like a Spandex and lace-clad phoenix?