Besides bringing a familiar face to the band, Matt’s arrival heralds a new-found dynamic; Human introduces heavier, darker shades to the band's songwriting and sound. New tracks like “I Am Machine” offer inspired, hook-laden riffs while “Painkiller” tackles more personal topics from a unique point of view.
Since the guitar's inception, there have undoubtedly been talented players that could make the instrument sing, but it wasn't until the mid '60s and the arrival of the wah pedal that one could make it cry.
It’s impossible to think about Eighties rock without vibrant visuals of half-naked dudes prancing around stage wearing more makeup and hair product than a horde of groupies. Even though the period broke almost every unwritten rule of rock and roll, it became one of its most successful sub-genres. So, what if this current Eighties revival is stronger than we realize and hair metal rises from the ashes like a Spandex and lace-clad phoenix?
What possesses a musician to obscure his or her ugly mug with a mask or makeup? There are probably as many reasons as there are noodles in a box of Kraft Macaroni & Cheese: showmanship, shyness, chronic acne and participation in the witness protection program are a few of the more popular explanations.
If you’re a fan of Rush like I am, you probably know them for their hard-hitting, prog masterpieces like “Tom Sawyer,” “The Spirit of Radio,” and “Limelight.” Decidedly electric and undeniable energetic, Rush’s intricate arrangements and complex rhythms characterize their catalog. But the band also spins out some masterfully created and performed acoustic parts and songs.
There was a time when the name Eric Clapton meant one thing and one thing only: guitar god. His incendiary six-string exploits with the Yardbirds, followed by a pair of mind-blowing 1966 albums—Blues Breakers with Eric Clapton and Fresh Cream—briefly put the passionate young Clapton atop the U.K.’s, if not the world’s, guitar hierarchy.
The Christopher Parkening Guitar Method - Vol. 1 (Revised): The Art & Technique of the Classical Guitar is the premier method for the beginning classical guitarist, by one of the world's pre-eminent virtuosos and the recognized heir to the legacy of Andrés Segovia.
Kiss guitarists and Les Pauls just seem to go together. Just ask Tommy Thayer, who just introduced his new Epiphone White Lightning Les Paul. We caught up with Thayer—just days before he headed out on a whirlwind tour of Japan—to discuss the new guitar and a whole lot more.