Julian Lage is much more than just a jazz musician. While his musical foundation is rooted firmly in the world of bebop and swing, his playing encapsulates the full breadth of 20th-century American music. The ghosts of Eddie Lang, Skip James, Doc Watson and Elizabeth Cotton haunt his vintage Martin 000-18, with which he creates a sound that is distinctly modern yet deeply indebted to the American folk music tradition.
There was no mania quite as manic as Beatlemania, and it was at its undisputed height in 1964. In February, The Beatles had conquered the United States, the birthplace of their rock and roll idols, appearing twice on the Ed Sullivan Show and performing pandemonium-inducing shows at the Washington Coliseum and Carnegie Hall.
The 2015 review guide includes the top picks of the year's best gear, modeled by Playboy Playmates Jaclyn Swedberg, Raquel Pomplun and Pamela Horton. The issue also features the hottest new gear for this holiday season: electrics, recording gear, acoustics, basses, effects, amps, holiday gift ideas, stocking stuffers and more! Plus a special 2015 sneak preview to help you stay current.
Hal Leonard Country Guitar Method is a 64-page, softcover book that uses real country songs to teach you the basics of rhythm and lead country guitar in the style of Chet Atkins, James Burton, Albert Lee, Merle Travis and many others.
It's over, folks! The 2015 Winter NAMM Show took place Thursday morning, January 22, through Sunday, August 25, in Anaheim, California. As always, Guitar World NAMM-ed it up, shooting photos and videos, gathering endless gear news and trying out (and gawking at) the coolest guitars, amps, effects, devices and more that are being introduced for 2015.
Learn to play every song from the Red Hot Chili Peppers' latest studio album, the Grammy-nominated I'm with You. Josh Klinghoffer's distinctive guitar sound has taken the Peppers in an exciting new direction. Here is every delightfully textured, nuanced note from their triumphant 2011 CD transcribed with tab!
The cascading waterfall of sound that is Eric Johnson's lead playing has captivated players and listeners for 30 years. In Johnson's ethereal soundscape, all the edges are smoothed away. Even the distinction between scales and arpeggios seems to blur. His patterns tumble imperceptibly through positions. And his limitless supply of sparsely voiced diatonic chord substitutions only enhances the vertigo.