Of all the great original 1959 Standards out there — a pretty small number to begin with — Joe Perry’s Les Paul has long been acclaimed as one of the finest. The rich, road-worn character of this guitar, serial number 9-0663, is utterly moving, and it seems to throb with the wealth of music and experience earned over decades of being played on stages and in recording studios around the world.
While true-bypass pedals are designed to preserve the integrity of your guitar’s signal, using several true-bypass pedals chained together can still result in wimpy tone. That’s because the excess lengths of cable needed to connect everything together can suck a lot of frequencies from a signal by the time it reaches the end of the chain. The Morley Buffer Boost features a buffer circuit that gives your guitar’s signal an extra push at the front or back of the signal chain to maintain level and tone, and it also provides up to 20dB of clean boost that you can engage for solos.
It’s no surprise that a signature model guitar designed by Megadeth lead guitarist Chris Broderick and Jackson Custom Shop master builder Mike Shannon is a lean-and-mean shred machine. However, the Jackson Chris Broderick Soloist 6 is packed with so many ergonomic and performance enhancements that players who aren’t into Megadeth or even metal in general should check it out as well.
When music aficionados speak of Detroit, they tend to go on and on about the slew of rock bands and R&B groups to come out of the area. When you consider the sheer number of rock legends and near-legends from the area, it's easy to see how one could spend hours discussing the Stooges, the MC5, Alice Cooper, Ted Nugent, Bob Seger, The White Stripes, etc.
The Palmer Pocket Amp is worth its keep by acting as a headphone amp, DI box, overdrive/distortion effects pedal and a re-amp amplifier simulator box. All this is packed inside one rugged box that's tough enough for stage use and can be tossed around in a gig bag until its next use.
Designed for musicians with bigger hands, the Hollow Body is a new take on a classic semi-hollow, double-cut design. The width of the neck is increased to 1 7/8” (47.625mm) at the nut, providing the player an increased string spacing of 0.315” (8mm) to allow all notes of a chord to ring clear and is best for execution of single note runs.
Paul Gilbert combines technical proficiency with incredible musicianship and a deep knowledge of theory. Because he derives most of his tone from his hands and highly refined approach, he requires superbly balanced and quiet pickups that won’t present any barriers to his musical expression.