When learning how to play jazz guitar, one of the most common progressions guitarists check out is the jazz blues progression. Since it is a fundamental form in just about every genre of modern music, the blues is a natural first step for guitarists who are moving into jazz from a rock, blues or pop background.
In this Sick Lick, I'm using the Whole Tone Scale. You have to be careful with this scale when adapting it to rock, as tonally it is way outside what the listener would normally be used to -- so it's important not to get lost in this scale! Make sure you are always mindful of where you are on the neck and that you are thinking about what other scales you can switch in and out of if you start to get too far outside the tonal core.
My day job is marketing and PR for music and audio. And that is why I feel the need to share with all of you, dear readers, some tips for getting your band and music in the news. So, here’s the first installment of some marketing and PR wisdom that I feel compelled to share with you, free of charge!
When you were young, you played. There was no thought process to speak of. If you wanted to dance, you danced. If you wanted to build a fort, you built a fort. Your imagination had no limitations. Your heart had no limitations. Feelings were expressed freely and without reservation. It was an instantaneous world.
It was scorching all around. Hundreds of guitarists gathered in Union Square in New York City last week for Mass Appeal Guitars. This event, part of MakeMusic NY day, was a mass play-along that many braved despite the brutally blistering weather. And it was probably one of the most fun guitar-related events I’ve ever been a part of. Such guitar camaraderie!
The final slot depths are somewhat a matter of taste on the part of the player, and a matter of skill on the part of the guitar tech. A tiny fraction of an inch deeper or shallower can make a big difference in action, especially in the first five frets or so. A slightly higher slot yields a more lively action in this area of the neck.
When I first began writing songs, I pretty much felt new musical ideas could only be discovered with guitar in hand, sitting at the piano or, if lucky, via a melody I might have found myself absentmindedly humming. As time went on, I started to realize that little bits of sonic inspiration were actually everywhere, waiting for me to scoop them up, if I just kept my mind open to the prospect.
I know what you're thinking: What the hell is a "near-Led Zeppelin moment"? Good question. A near-Led Zeppelin moment is a post-1980 live performance by one -- or two -- members of Led Zeppelin that captures -- in any number of ways -- some intangible spark of a classic Led Zeppelin performance.
Yes, it’s time once again to present to you 10 uber-talented female guitarists you may never have heard of! They rock, they finesse, they shine. From the classic singer/songwriter to the ferocious shredder, these 10 women know their way around six strings! So sit back, relax and peruse the fabulous ladies presented herein. And while you’re at it, check out our past Exposed artists for even more undeniable talent.
ii-Vs are some of the most commonly used and important chords in the jazz repertoire. It’s a progression you’ll see often as a jazz guitarist, so being able to confidently solo over these chords is an essential skill. When first learning to blow over these chords, we often start with the Dorian and Mixolydian modes over each chord, respectively.