A couple of weeks ago, I gave you a short, 30-minute guitar workout designed for guitarists whose practice time is limited. The positive response I received prompted me to create an additional lesson, which, in combination with my original workout, will give you a good hour of intensive practice.
In this brand-new edition of Betcha Can't Play This, metal guitarist Ethan Brosh (using a Fender HM Strat) demonstrates a lightning-fast C Lydian lick that sounds a bit like The Simpsons theme song, at least at the very beginning.
When most people start learning guitar, the first chords that they learn are often the A, C, D, E and G open chords. And the CAGED chord system is a chordal shape that can be used to navigate the fretboard using the C, A, G, E and D open-chord shapes, in that particular order, to ultimately be able to spot any major chord all across your fretboard.
In this exclusive Guitar World lesson, watch Living Colour guitarist Vernon Reid talk about the band's The Chair in the Doorway album and teach you how to play their classic 1988 hit "Cult of Personality."
For this lesson, I want to explore some more applications of this technique and give you some ideas of how you can use it in your own playing. The technique can be applied to virtually any single-note sequence you come up with. I find it best to create a simple melodic line and then apply the technique to create a riff or motif. I've found it particularly useful in my solos as a way to create dynamics.
The fourth finger is often neglected when it comes to playing guitar. Well, rock/blues guitar, at least. I notice players opt to do wide stretches between their second and third fingers rather than using the fourth. As a result, the fourth finger is very underused and gets weak. This generally begins when someone first starts playing guitar.
Van Halen’s impact on Dimebag’s playing is unmistakable. The “vibe” of early Van Halen is by far the most recognizable influence in Dimebag’s playing. From the grooving rhythms played like leads of their own, to the tone, to the phrasing in his lead playing, Dimebag took the inspiration of Edward Van Halen and forged his own identity.
These videos and audio files are bonus content related to the October 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.
I use this particular variation of the scale a lot, especially when Im creating melodies that need to have a bit of "cheek" about them. This sound reminds me of something Steve Vai would use. The character Steve injects into his playing is genius, and this is a way (tonally) that I've found that helps me capture a bit of that.