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Interview: Guitarist Robby Krieger Discusses The Doors' Albums and Working with Jim Morrison

Yngwie Malmsteen Discusses his Roots, His Rep and his Latest Album in this 1986 Guitar World Interview

Rolling Stones: Keith Richards on the Making of 'Exile on Main St.'

Let the Good Times Grohl: Dave Grohl Talks 'Sound City: Real to Reel'

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Shred Zeppelin: How to Play Like Jimmy Page

A Clean Sweep: Mastering Sweep Arpeggios with John Petrucci

The Capo Crusader: An Acoustic Arrangement of The Who's "Baba O'Riley"

The Capo Crusader: An Acoustic Arrangement of Guns N' Roses' "Sweet Child O' Mine"

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Blues Power: An In-Depth Guide to the Amps and Effect Pedals in Stevie Ray Vaughan’s Arsenal

La Grunge: The Top 10 Blues-Approved Overdrive/Distortion Pedals

Small Wonders: Five Essential 15-Watt Guitar Amps

40 Years After "Smoke On the Water," Fender Custom Shop Introduces Ritchie Blackmore Tribute Strat

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Lessons

Exclusive Video Lesson: Guitarist Bill Hudson Shows How to Play "E.G.O." — Part 2

Posted 03/27/2013 at 5:29am | by Damian Fanelli

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Here's another exclusive video lesson by guitarist Bill Hudson of Circle To Circle. It's a continuation of Hudson's last lesson, where he showed you how to play one of his new solo tracks, "E.G.O." In the first clip, Hudson played the entire song all the way through. You can check out the second part of the lesson below.

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Exclusive Video Lesson: The Word Alive Show How to Play "Room 126"

Posted 03/27/2013 at 5:28am | by Guitar World Staff

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Exclusive Lesson: The Word Alive's "126"

Zack Hansen and Tony Pizzuti break down how to play the solos in "Room 126."

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Metal For Life: Killer Runs to Sharpen Your Pick-Hand and Fret-Hand Skills

Posted 03/26/2013 at 5:33pm | by Metal Mike

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In this month’s column, I’d like to present a few single-note patterns that are designed to fortify fret-hand/pick-hand coordination while they strengthen your overall chops and ability to play fast and clean. In my own experience, I have found that drilling on one or two very specific melodic fretboard shapes works wonders in uncovering technical areas of weakness in both hands.

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Jam Session: Warren Haynes on Getting Started With Slide Guitar

Posted 03/22/2013 at 2:02pm | by Warren Haynes

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In this entry from his classic "Jam Session" column, Warren Haynes talks about the best way to approach getting started with playing slide guitar.

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Adapting Keyboard-Style Arpeggios to Fretboard Tapping, Part 1

Posted 03/20/2013 at 1:04pm | by Chris Broderick

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This month’s column focuses on an original composition of mine that acknowledges the influence of classical pianists on my playing style, specifically the way in which pianists will play arpeggios across several octaves very quickly (see FIGURE 1). In order to emulate that sound on the guitar, I’ve devised a few fretboard tapping techniques. In fact, much of my two-hand tapping technique is based on that goal and approach.

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VH1 Save the Music: The Art of the Jam — How to Teach Young Children to Improvise

Posted 03/20/2013 at 8:07am | by Mark Hale

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Hello. My name is Mark Hale, and I teach general music and guitar to elementary school students, grades K-4, in Nashville. Having done this for a few years and experimented with various approaches, I have come up with what I believe to be a very effective and fun approach to teaching young, beginner-level students how to tap into the creative part of their brains and improvise melodies. I’d like to share this approach with you.

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The Complete Guitarist: Major- and Minor-Scale Excercises to Improve Your Playing

Posted 03/20/2013 at 7:16am | by Richard Rossicone

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Hey, everyone. In my last two blog posts, I discussed arpeggios and how to incorporate them into your playing to learn the fretboard and add some color to your leads. This time, I'd like to discuss some really cool major- and minor-scale exercises that will help your overall guitar playing on many levels.

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Guitar 101: Heavy Metal Hybrid Picking

Posted 03/18/2013 at 11:57am | by Greg Harrison

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Hybrid picking—the practice of interspersing flatpicked notes with notes plucked by your middle or ring finger—is a technique that many metalheads mistakenly believe is just for country, blues and jazz players. The fact that it remains underutilized by the shred guitar community means that hybrid picking can be smartly employed as a shredder’s “secret weapon”— just ask Zakk Wylde, John 5, Jason Becker ...

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Video: Interview and Sacred Steel Lesson with The Slide Brothers

Posted 03/18/2013 at 7:29am | by Chris Gill

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In the era of YouTube, and with the ubiquitous presence of camera phones and inexpensive digital recorders capturing almost every mundane moment of modern life, it’s difficult to imagine a musical genre or group of talented musicians remaining undiscovered.

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The Ultra Zone: Steve Vai's Course In Ear Training, Part 3

Posted 03/18/2013 at 7:26am | by Steve Vai

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My first two ear training columns (Part 1 and Part 2) outlined techniques intended to strengthen your note-recognition abilities, using the guitar as an ear training tool. This month, I’d like to turn you onto some ear training techniques that use chords.

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