The Top Five Studio Guest Appearances by Stevie Ray Vaughan
Five-plus examples of Stevie Ray Vaughan's best work as a guest guitarist in the '80s.
For someone who spent a mere seven years in the spotlight, Texan Stevie Ray Vaughan left behind an impressive amount of recorded material.
He released four studio albums, a double live album and a Vaughan Brothers album (with Jimmie Vaughan), not to mention enough leftover live and studio material to fill several posthumous albums and a box set.
He even found time to perform on albums by several other artists — from Teena Marie to Stevie Wonder to Lonnie Mack — very often with fiery results.
With that in mind, here are Vaughan's top five guest appearances as a guest or session guitarist during his "famous" years, 1983 to 1990. We'll discuss his pre-fame session work in another story.
And just so the Vaughanophiles are clear, this list does not take into account Vaughan's 1983 Canadian TV studio appearance with Albert King — or anything recorded in a TV studio, a radio studio or a studio apartment. It also doesn't include his 1987 recording of "Pipeline" with Dick Dale because that track is credited to the duo, so neither guitarist is the other's "guest."
Be sure to pick up the new March 2013 issue of Guitar World magazine, which features SRV on the cover and celebrates the 30th anniversary of Texas Flood. The issue also profiles the amps and effects in Vaughan's arsenal, dissects 10 Vaughan albums and discusses Vaughan's "Number One" Fender Strat. The new issue is available now at the Guitar World Online Store.
05. A.C. Reed, "Miami Strut," from I'm In the Wrong Business! (1987)
A.C. Reed was a respected Chicago-based sideman who started his lengthy career in the '40s and worked with a host of big names, including Magic Sam, Son Seals, Albert Collins and Buddy Guy.
"Miami Strut" is a funky instrumental that features Vaughan playing a Strat through a Leslie cabinet, its revolving speaker providing an exceptionally "wet" sound. Note how he plays around Reed's catchy tenor sax riffs, making his guitar an integral part of the track. Vaughan's guitar solo starts around 1:22.
Because the album, which also features Bonnie Raitt, was released in 1987, it represents a lost period in Vaughan's discography, since Soul to Soul came out in 1985 and In Step came out in 1989.
WHILE YOU'RE AT IT: Check out "These Blues Is Killing Me" from the same album. Vaughan's guitar solo starts around 2:06. That's Reed on vocals.
Artists:Stevie Ray Vaughan
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