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dturner

Guitar World Member For: 3 years 13 weeks
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Hole Notes: The Exotic Tunings and Percussive Techniques of Fingerstylist Kaki King

The following content is related to the July 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

Hole Notes: Robert Johnson's Ferocious Guitar Style

Regarded as one of the greatest guitarists of all time, Delta blues wizard Robert Johnson recorded only 29 songs (plus 13 alternate takes, in two sessions) during his 27 years of life. They were cut when he wasn’t playing for tips on street corners, in juke joints or in front of barbershops and other commercial establishments.

Hole Notes: The Fleet-Fingered Moves of Six- and 12-String Virtuoso Leo Kottke

The following content is related to the June 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

Hole Notes: The Progressive, Acoustic Stylings of Virtuoso Picker Robert Fripp

The following content is related to the May 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

Hole Notes: The Acoustic Stylings of the Late Jerry Garcia

Jerry Garcia is best known as the lead guitar player and primary singer/songwriter of the Grateful Dead. Though they are regarded as pioneers of the “jam band” genre that rose to prominence in the late Sixties, the Grateful Dead, unlike many of their counterculture contemporaries, never faltered with the changing times.

Hole Notes: The Killer Chord Moves and Blazing Bluegrass Lines of Flatpicker Tony Rice

The following content is related to the April 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

Hole Notes: Joni Mitchell’s Altered-Tuning Innovations

Canadian-born Joni Mitchell originally intended to be a fine artist and considered herself a hobbyist musician in the early Sixties, occasionally playing paid gigs to support her painting studies. That all changed by the mid Sixties, when personal issues inspired her to channel her thoughts into music that would soon be covered by folk artists like Tom Rush and Judy Collins.

Hole Notes: Pete Townshend's Energetic Acoustic Rhythm Style

Pete Townshend is a killer tunesmith who has penned such rock classics as “My Generation,” “Baba O’Riley” and “Won’t Get Fooled Again.” But the Who guitarist and band leader is also among the most skilled and influential rock rhythm players in history.

Hole Notes: Examining Paul McCartney’s “Two-Finger” Magic in “Blackbird”

The Beatles’ “Blackbird,” performed entirely by Paul McCartney using his Martin D-28, was released on the 1968 album The Beatles (commonly referred to as the White Album). From a guitar standpoint, the song’s roots and inspiration can be traced back to McCartney’s early experimentation with a well-known piece by J.S. Bach titled “Bourée in E Minor,” which he woodshedded in his youth.

Hole Notes: The Fingerstyle and Flat-Picking Passages of John Denver

John Denver began his career in folk groups in the Sixties and had chart success as a songwriter, but it was the sweet sounds of his Seventies solo records that made him a household name. Hits like “Take Me Home, Country Roads,” “Annie’s Song” and “Rocky Mountain High” helped bring folk, pop and country to the commercial forefront that decade. Though he was often dismissed for his wholesome, clean-cut image, Denver was undeniably a stellar tunesmith and a fantastic fingerpicker.