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kwyatt

Guitar World Member For: 3 years 18 weeks
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Talkin’ Blues with Keith Wyatt: Adapting the Crafty Piano Riffs of Otis Spann to the Guitar

This audio is bonus content related to the April 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at our online store.

Talkin’ Blues with Keith Wyatt: Massive Attack — Slapping and Raking

This video is bonus content related to the March 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

Talkin' Blues with Keith Wyatt: Grady Martin and the Roots of Rock

These videos are bonus content related to the February 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

Lesson: Using Broken Chords to Add a Little Drama

The full-chord strum is only one way to skin the rhythm cat. A subtler but no less effective approach is playing broken chords, which involves successively picking the individual notes of a chord in a following pattern. An arpeggiated, or “broken,” chord simultaneously outlines the harmony, meter and rhythm.

Talkin' Blues: Tennessee Tejano — Grady Martin and “El Paso”

These videos are bonus content related to the January 2014 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

Talkin' Blues: The Guitar Work of Earl Hooker, Part 2

These videos are bonus content related to the Holiday 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

Lesson: Sixths Sense

Don’t let the term diatonic harmonic interval scare you; it simply means two notes from the same scale played at the same time. Harmonic intervals are particularly useful on the acoustic guitar because they lend heft to single-note lines, especially up the neck, and they are staples of blues, country, R&B and traditional Spanish and Latino music. In a previous lesson we discussed one such interval (the third), and this time we’ll look at its cousin, the sixth.

Talkin' Blues: The Guitar Work of Earl Hooker, Part 1

These videos are bonus content related to the December 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

Lesson: The Power of Thirds

In past lessons we’ve spruced up rhythm patterns by adding extra notes to chords, and by inserting bass lines and scale runs. This time around the subject is intervals, specifically thirds. Here we give you some practical examples of how to put thirds to work for you. In fact, thirds in particular are real workhorses, frequently used by guitarist, R&B, rock, country and blues.

Lesson: Country-Funk - What Hank Williams and James Brown have in Common

Most of you are probably familiar with the two-beat “boom-chick” style of rhythm playing so prevalent in classic country music. You may be surprised to learn that the groove that drives, say, Hank Williams’s “Your Cheatin’ Heart” is not that far removed from the one that drives a funk song like the James Brown instrumental “Night Train.”