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bradtolinski

Guitar World Member For: 3 years 40 weeks
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Interview: James Hetfield Discusses Metallica's 'Death Magnetic'

With his black work shirt, black jeans and big, black motorcycle boots, James Hetfield looks a little like a garage mechanic working the graveyard shift at a funeral home. His thoughts, like his outfit, are dark.

Excerpt from Brad Tolinski's 'Light & Shade: Conversations with Jimmy Page': Recording 'Led Zeppelin'

You shouldn’t really have to use EQ in the studio if the instruments sound good. It should all be done with microphones and microphone placement. The instruments that bleed into each other are what creates the ambience. Once you start cleaning everything up, you lose it. You lose that sort of halo that bleeding creates. Then if you eliminate the halo, you have to go back and put in some artificial reverb, which is never as good.

Interview: Periphery Discuss Their New Album, 'Periphery II: This Time It's Personal'

Once upon a time, video games were considered the nerdy domain of geeks, freaks and social misfits. Over the past couple of decades, however, the $65-billion gaming industry has become as ubiquitous and all-American as baseball and apple pie. The long-term cultural and psychological impact of gaming and the relentless pursuit of “the next level” will undoubtedly fuel countless sociology books and psychiatric papers, but for now one only has to listen to the ambitious, cutting-edge prog-rock of Periphery for a glimpse of how gaming is shaping art and music in the 21st century.

Excerpt: Periphery Discuss Their Sophomore Album, 'Periphery II: This Time It's Personal'

"I always thought that it would be really cool to compose an album of music in the same way that you’d score a movie," says Periphery guitarist Misha Mansoor. "In other words, the lyrics and storyline would come first and the music would be almost secondary to the plot. The arrangements are going to be very unconventional, even by our standards."

A Snapshot of Dimebag Darrell

I’m not a collector by nature. It seems like after 20 years in the business I’d have all sorts of valuable music-related artifacts. Instead, my office is dotted with just a couple of guitars, a blizzard of press releases and small handful of weird memorabilia that has somehow stuck to my walls and shelves like chewed gum on the bottom of a shoe.

Guitar World Staff Picks: Brad Tolinski's Top 10 Albums of 2011

This was definitely a weird year for music, so I had to grab the good stuff wherever I could find it. I have pretty eclectic tastes, so in some ways I had fun picking through the rock, jazz, blues and metal world. I look forward to trying to absorb Jimi Hendrix’s Winterland shows and Duane Allman’s remarkable playing on the SUNY bootleg over the next, say, two decades.

From the Archive: Eric Clapton Discusses Songwriting and the 'Pilgrim' Album

It was in the early 1960s that Eric Clapton first grabbed people with the scream in his sound. People called it the "woman tone," but that was no woman -- that was his life. On songs like "Born Under a Bad Sign" and "Crossroads," he used his guitar to give voice to the emotions he couldn't, or wouldn't, vent as a singer or songwriter.

Learn Pro Tools! Even if You Are a Guitarist

Fantasies are an essential component of life and, admittedly, some are more exciting than others. After years of putting it off, I decided I was going to, once and for all, learn how to operate Pro Tools. This is where the fantasy part comes in. I thought I was going to purchase Pro Tools 10, pop it into my new MacBook Pro and start recording. Geez, was I wrong.

David Gilmour Discusses Guitars, Blues and 'The Division Bell' in 1994 Guitar World Interview

With a number one album, a high-profile stadium tour and non-stop radio airplay, Pink Floyd appear to be everywhere -- and, oddly, nowhere. In an era when MTV appearances and revealing magazine interviews are de rigueur for rock stars on the make, the members of Floyd have methodically kept the media at bay.

Dimebag Darrell Discusses His Roots, Gear and Pantera in 1994 Guitar World Interview

Dimebag Darrell Abbott, Pantera’s high priest of six-string destruction, is feeling ornery. His eyes narrow as he slowly picks up his metallic blue Dean guitar. Cradling it like a sawed-off shotgun, the self-proclaimed “cowboy from hell” begins to frown. It’s obvious that he has something urgent on his mind.