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Expanding Major Pentatonic Ideas to Major Hexatonic

Over the course of the last few columns, we’ve examined both the five-note E major pentatonic (E F# G# B C#) and six-note E major hexatonic (E F# G# A B C#) scales in various positions and patterns/sequences that are formed when traversing up and down individual strings. ... …

Exploring Mixolydian-Based Melodies and Chord Structures

In the last few columns, we looked at ways to build chord shapes, or “grips,” from the Dorian and Aeolian modes (Aeolian is also known as the natural minor scale), which are two of the most widely used minor modes for soloing in rock, blues, and jazz. ... …

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